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ON FREE VIEW © 
DAY AND EVENING 


AT THE AMERICAN ART GALLERIES 


MADISON SQUARE SOUTH, NEW YORK 


FROM SATURDAY, FEBRUARY 10rx 
UNTIL THE MORNING OF THE DAY 
OF SALE, INCLUSIVE 


MODERN PAINTINGS 


COLLECTED BY THE LATE 


ALEXANDER BLUMENSTIEL 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF HIS EXECUTORS 


AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF BROADWAY 


ON THURSDAY AND FRIDAY EVENINGS 
FEBRUARY 15TH anp 16TH 


BEGINNING PROMPTLY AT 8.15 O'CLOCK 


CATALOGUE 


OF THE 


PRIVATE COLLECTION 


OF 


MODERN PAINTINGS 


WATER COLORS AND DRAWINGS 


¥ 


COLLECTED BY THE LATE 


ALEXANDER BLUMENSTIEL 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
BY ORDER OF HIS EXECUTORS 


AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF BROADWAY 


ON THE DATES HEREIN STATED 


THE SALE WILL BE CONDUCTED BY 
THOMAS E. KIRBY 
OF THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK: 1906 


Press of J. J. L: 
Astor Place, New 


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CONDITIONS OF SALE 


1. The highest Bidder to be the Buyer, and if any dispute arise 
between two or more Bidders, the Lot so in dispute shall be im- 
mediately put up again and re-sold. 

2. The Auctioneer reserves the right to reject any bid which is 
merely a nominal or fractional advance, and therefore, in his 
judgment, likely to affect the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to 
pay down a cash deposit, or the whole of the Purchase-money, if 
required, in default of which the Lot or Lots so purchased to be 
immediately put up again and re-sold. 

4. The Lots to be taken away at the Buyer’s Expense and Risk 
within twenty-four hours from the conclusion of the Sale, and the 
remainder of the Purchase-money to be absolutely paid, or other- 
wise settled for to the satisfaction of the Auctioneer, on or before 
delivery; in default of which the undersigned will not hold them- 
selves responsible if the lots be lost, stolen, damaged, or destroyed, 
but they will be left at the sole risk of the Purchaser. 


5. While the undersigned will not hold themselves responsible 
for the correctness of the description, genuineness, or authen- 
ticity of, or any fault or defect in, any Lot, and make no War- 
ranty whatever, they will, upon receiving previous to date of 
Sale trustworthy expert opinion in writing that any Painting 
or other Work of Art is not what it is represented to be, use 
every effort on their part to furnish proof to the contrary; fail- 
ing in which, the object or objects in question will be sold 
subject to the declaration of the aforesaid expert, he being 
liable to the Owner or Owners thereof, for damage or injury 
occasioned thereby. 

6. To prevent inaccuracy in delivery, and inconvenience in the 
settlement of the Purchases, no Lot can, on any account, be re- 
moved during the Sale. 

7. Upon failure to comply with the above conditions, the money 
deposited in part payment shall be forfeited; all Lots uncleared 
within one day from conclusion of Sale shall be re-sold by public 
or private sale, without further notice, and the deficiency (if any) 
attending such re-sale shall be made good by the defaulter at 
this Sale, together with all charges attending the same. This Con- 
dition is without prejudice to the right of the Auctioneer to en- 
force the contract made at this Sale, without such re-sale, if he 
thinks fit. 

8. The undersigned are in no manner connected with the 
business of the cartage or packing and shipping of purchases, and 
although they will afford to purchasers every facility for em- 
ploying careful carriers and packers, they will not hold them- 
selves responsible for the acts and charges of the parties engaged 
for such services. 


Tue AMERICAN ART ASSOCIATION, Mawnacens. 
THOMAS E. KIRBY, Avcrioneerr. 


D5 


FIRST EVENING’S SALE 
THURSDAY, FEBRUARY 15, 1906 


AT MENDELSSOHN HALL 


BEGINNING PROMPTLY AT 8.15 O’cLOCK 


DRAWINGS 


No. 1 


ADOLPH MENZEL UY a 
GERMAN : 
1815—1905 


SKETCHES Teh nesies teaser 


Pencil Drawing 


Tue face of an old man, the head and shoulders of a young 
man and a young woman, and an ear nearly life size. 


Signed at the lower right, MenzE1t, A.M. 797. 


Height 714 inches; width, 434 inches. 


Ihe Neverta fot ffac _ 1815—1905 


No. 2 


ADOLPH MENZEL 
GERMAN 


THREE HEADS 
Drawing 


A stupy of three heads in stump and crayon, the two lower 
ones showing pleasing types of young ladies in hats and gar- 
ments of modern fashion, and above them, partly concealed by 
the face and hat of the young lady on the right, is the head 
of a youth. 


Signed at the upper right, B. MENZEL. 
Height, 8 inches; width, 5 inches. 


No. 3 


ALPHONSE MARIE DE NEUVILLE 


‘ FRENCH 
I. fee rts 1836—1885 


5" 


MARCHING ACROSS THE DESERT 


Drawing 


A skKETCH, partly in pencil and partly in ink, of an Arab 
expedition with many horsemen and riders on camels, proceed- 
ing in irregular formation across the desert. 


Signed at the lower left, A. DE NEvUvILLE. 


Height, 5 inches; length, 8 inches. 


— 


No. 4 


MLLE. ROSA BONHEUR 


FRENCH 
1822—1899 


CATTLE 


Drawing 


A prawine of cows and a calf in a broad level pasture. Two 
cows are lying down on either side of a third which stands 
near her young calf. 


Signed at the lower right, Rosa B. 
Height, 8 inches; length, 1114 inches. 


No. 5 


ISAAC ISRAELS 


DUTCH 
1824— 


Pencil Drawing 


STREET SCENE 


In the right foreground is suggested the figure of a market 
woman with a white apron over a black dress. Beyond her is 
a crowd of people walking along the street, and on the left a 
view of a sunlit facade. 


Signed at the lower left, Isaac Israrts, 


Height, 417 inches; length, 6 inches. 


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No. 6. 


MLLE. ROSA BONHEUR 


FRENCH 

Wf ye TEs : ak; 18221899 
SKETCHES 

Drawings 


Four pencil sketches in one frame. The upper one shows 
various studies of figures, a large farm wagon, evidently 
sketches for a picture, representing cider making. On the lower 
left of the sheet is pasted a composition showing a shepherd 
leading a flock of sheep across an open pasture. Not sigr-d. 


Height, 914 inches; length, 15%, inches. 


The drawing at the lower left is a pencil sketch of a farmyard 
with a wagon load of hay drawn by a yoke of oxen, and various 
cattle and laborers at rest on either side. 


Signed at the lower right, Rosa B. 
Height, 414, inches; length, 9 inches. 


The sheet at the lower right shows a cart horse feeding out 
of a nosebag. 


Signed at the lower right, Rosa B. 
Height, 5 inches; length, 6 inches. 


No. 7% 


JEAN LEON GEROME 


FRENCH 
1824—1904 

DRAWING IN RED CHALK a mel Fj viuwked. 
: | Drawings 


Tuis is a study in red chalk of the full-length figure of a young 
woman in the costume of the Far East, reclining at full length 
on the floor, supporting her shoulders on soft cushions. Her 
head rests upon her right hand, and her left, extending along 
her side, holds an oval mirror. | 


Signed at the lower right, J. L. GERomeE. 
Height, 7 inches; length, 14 inches. 


No. 8 


MLLE. ROSA BONHEUR 


FRENCH 
1822—1899 
Aree gata 
> SKETCHES 
| _ Drawings 


Four leaves from the notebook with sketches of lions. The 
smallest shows a lioness walking along, the next two lions’ heads, 
the third four male lions lying together, and the largest a 
lion and lioness sleeping. 


Lioness. 


Signed at the lower left, Rosa B. 
Height, 41, inches; length, 5 inches. 


Lions’ heads. 


Signed at the lower right, Rosa B. 
Height, 4 inches; length, 434 inches. 


Four lions lying down. 


Unsigned. 
Height, 6 inches; length, 912 imches. 


Lion and mate lying down. 


Signed at the lower left, Rosa BoNHEUR. 


Height, 8 inches; length, 1434, inches. 


PASTELS AND WATER COLORS /}> 
No. 9 


LOUIS EUGENE BOUDIN 


FRENCH 

1824—1898 oe, 
AT VILLERVILLE Marry 4 
On a grassy elevation in the foreground are two cows, one 
standing, the other lying down. Beyond them is a view across 
the broad mouth of the Seine, with various fishing boats and 
the headland near Havre. 


Signed at the lower right, E. Bovunin, ’58. 
Height, 7 inches; length, 11 inches. 


No. 10 


LOUIS EUGENE BOUDIN 
A FRENCH 


mak Dy So mga -1824-—1898 


SEA AND SKY 
Pastel 


Tuts is a study of the Channel on a summer’s day, with large 


cumuli lazily floating in the quiet air, and in the foreground 
the sea gently breaking upon a shallow shore. 


Signed at the lower left, K. B. . 
Height, 7 inches; length, 104% inches. 


No. 11 


LI fie oe _ F. GABRIEL 


LANDSCAPE 

Water Color 
A NuMBER of thatched hovels are grouped together near a rank 
of tall trees, under which, in the right of the composition, 
passes a country road. The light in the sky is concentrated 
near the horizon, and the soft clouds are tinged with rosy even- 
ing light. 


Signed at the lower left, GaprieL F. 


Height, 9 inches; length, 1314 inches. 


No. 12 gP 


E. ESBEN S lp ita 
GERMAN 
AT THE PALACE GATE fie 
Water Color 


Tus is the figure of a Turkish messenger who has brought to 
the palace door a large branch of palm which he has leaned 
against the corner of the wall. He is dressed in a white turban 
over a red fez, a pink-striped blouse with a black and white 
jacket, and full brown trousers. 


Signed at the lower right, EK. EsBens. 
Height, 1114 inches; width, 8 inches. 


No. 13 
ALBERT LYNCH : * Lg 
1851— ior 
A DRAWING-ROOM ENTERTAINMENT G, any Me,,: ae J 
Water Color Nira 


On a temporary platform, erected in a large drawing-room, a 
pierrot is serenading, with a guitar, a young lady who, perched 
on a chair, looks through an opening in the top of a screen. 
Behind the pierrot is a large attendance of ladies and gentle- 
men, some seated and some standing. 


Signed at the lower right, ALBERT, LYNCH. »., 


y "Height, 16 inches; width, 11 inches. 


t \ % 
Ue 


No. 14 


FRENCH 


é wd alt 1824—1898 
lah A BRETON INTERIOR 
| 3 ai Water Color 


| A sKETCH, partly in monochrome and partly in pencil, of the 


LOUIS EUGENE BOUDIN 
| 
| 
| 


| seated figure of a peasant woman in a simple Brittany interior. — 

| In the background various articles of domestic furniture are 
suggested, and on the left of the figure, which is strongly 
illuminated by a window, is a heavy table. 


Signed at the lower left, E. B. 


Height, 514 inches; length, 744 wches. 


No. 15 


ALBERT LYNCH 


FRENCH a 
tye : 1851— Pail 
; N EVENING CALL ‘ 
a } Water Color i w. 


aa A yvoune.lady and a young girl are seated near a large lamp, 
the latter attentively engaged in sewing on a white garment, ~ 
the other welcoming with a smile two gentlemen in evening 

dress who are entering the room beneath a heavy portiére. 


Signed at the lower right, Atpert Lyncu. 


Height, 1514, inches; width, 1014 inches. 


No. 16 


H. P. ARNTZENIUS h oy 
bs DUTCH \v 


Contemporary 
Necg a J pe 1 ss 


TuHE motive of this picture is undoubtedly found in the Latin 
quarter where the narrow streets are thronged with foot pas- 
sengers and where every manner of Parisian is seen. In the 
right foreground is a baker’s boy carrying a large basket, and 
beyond him are various types, from the laboring man in blue 
blouse to the boulevardier in tall hat accompanied by a young 
_ lady. Between the high fagades on either side of the street is 
seen at the top of the picture a portion of luminous gray sky. 


STREET SCENE 
Water Color Ke 
Vaca 


Signed at the lower right, |P ArnrzENtvs. 
Height, 1914 inches; width, 15 inches. 


OIL PAINTINGS 


ar, 


No. 17 
wes , 


L. SIMON 


LANDSCAPE 


Tus is a wide prospect over a pleasant country where a nar- 
row river runs from the left foreground diagonally to the right 
and disappears among the meadows. Suggestions of its course 
are seen along a line of low bluffs in the middle distance. The 
horizon is formed by a range of wooded hills, and the sky is 
filled with luminous clouds. 


Signed at the lower right, L. Stmon. 
Height, 6 inches; length, 91, inches. 


fa 
clo! 


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No. 18 
LOUIS EMILE ADAN 


1839— 
THE SLY BUTLER 


A MIDDLE-AGED butler in ornate livery of red velvet, trimmed 
with blue galloon, is taking his ease in an armchair, and is rais- 
ing to his lips a partly emptied bottle which he has taken from 
a table at his elbow. Through a partly opened door at the back 
behind the butler appears the face of the mistress of the house 
bearing an expression of pained surprise. | 


Signed at the lower right, L. Emme Avan. 
Height, 141% inches; width, 10 inches. 


No. 19 


HK. ESBENS 
GERMAN 


THE PALACE GUARD 


A DARK-SKINNED Arab, in flowing yellow, white and red gar- 
ments, is seated upon a rough stone step at the entrance to a 
Moorish palace, his ornamented flintlock gun resting in an 
angle of the wall. On the right of the figure is a wooden gate- 
way, through which is a glimpse of the blue sky and a sunlit 


wall. 


Signed at the lower right, E. EsBens. 
Height, 101% inches; width, 8 inches. 


No. 20 


ANTONIO TAMBURINI 
ITALIAN 


1843— AM | b 8 l 
THREADING THE NEEDLE J, wate, 2 


- Aw old Dominican monk, seated at a table on which lies an 
umbrella with its covering out of repair, endeavors to thread a 
needle, holding it up with both hands against the light. He is 
looking over the tops of his clumsy spectacles, and, with wide- 
open mouth, holds his breath lest his fingers should shake at 
the critical moment. 


Signed at the upper left, A. TampBurini, FLORENCE. 


Height, 14 inches; width, 11 inches. 


No. 21 


ANTONIO CASANOVA Y ESTORACH 
SPANISH 


HEAD 


Tuts is a study of an old Franciscan monk who sits with head 
somewhat lowered, apparently about to eat some hot food. The 
head is carried far toward completion, but the rest of the pic- 
ture is only sketched, showing well the method of the artist. 


Inscribed at the left, Vente Antonio Casanova Y Esroracu. 


Height, 15 inches; width, 12 inches 


| 
f). iy JOBS YU we Spry an 
\ 2 | den | \ chil 


No. 22 


JAMES M. HART, N.A. 


| ‘ F AMERICAN 
fs iw 1828—1901 
SUMMER | 


| covered by loosely driftmg summer clouds. 


| 
i 
| | Signed at the lower right, James M. Harr. 


HI No. 23 


7 
Lf all LEONARD OCHTMAN 


FE wml I wn AMERICAN 


1854— 


LANDSCAPE 


Hh which is visible an expanse of the sea. 


Hf Signed at the lower left, Leonarp Ocurman, 93. 


A BroaD, placid stream flows diagonally across the picture, and 
in it various cattle are standing, some drinking, others cooling 
themselves in the water. On the right a clump of trees rises 
from a low grassy bank. Across the river in the middle distance 
iW is a parklike meadow, with scattered trees and cattle browsing 
i on the grass and standing in the shallows. The sky is partly 


i Height, 21 inches; width, 16 inches. 


A Low, grassy meadow stretches across the foreground and 
gently slopes down to the shore of a quiet inlet. On the right, 
beyond the meadow, stand two simple buildings surrounded by 
trees, and farther away, following the indented shore-line, the 
eye is carried to a large village at the mouth of the inlet, beyond 


Height, 16 inches; length, 22 inches. 


No. 24 


M. COULAND 


FRENCH 
Contemporary 


THE BARNYARD 


In the foreground a number of sheep are drinking out of a,- 
tub which stands in a barnyard adjoining a small a ae 
The group is in strong sunlight falling from the upper right, 
and beyond them is seen, in the luminous shadow, a peasant 
woman feeding a number of sheep with freshly cut grass. The 
roof of the farmhouse and the open shed adjoining rise nearly 
to the top of the picture. 


Signed at the lower right, M. Coutanpn, 1902. 
Height, 21%, inches; width, 18 inches. 


No. 25 


CARLETON WIGGINS, N.A. 


AMERICAN 
1848— 


THE AFTER GLOW K We torr ten: 


A stnete black and white spotted cow stands in the foreground 
on the slope of a rich pasture, and beyond her is a view across 
a wide and well-wooded country toward the distant horizon, 
where the sky line is lost in a veil of mist. The upper segment 
of the full moon shows through the clouds beyond the cow, 
and the whole landscape is glowing with the light of late sunset. 


Signed at the lower left, Carterton WiGGINS. 
Height, 22 inches; width, 18%, inches. 


No. 26 


ra M. TEN KATE 
bp DUTCH 
4 L 


1831— 


CHILDREN AT PLAY 


Turee children, a boy and two girls, are playing with rabbits 
in the corner of a cottage yard. Grouped around the smallest 


child, who is seated on the ground, are half a dozen-of the pet 
animals, one of which she is fondling. On the right a rustic 
fence separates the yard from a garden beyond. 


Signed at the lower right, M. Ten Kare. 
Height, 16 inches; length, 24 inches. 


‘ No. 27 


JEAN BAPTISTE ROBIE 


FRENCH 
1821— 


ROSES 


Tuts is a study of three deep pink roses seen in a strong light 
against a dull gray background. 


Signed at the lower left, 20 mai, 1874, J. Rost. 
Height, 81% inches; length, 1114 inches. 


eo 


— 


No. 28 


LOUIS EUGENE BOUDIN g 0 
FRENCH tn 


1824—1898 bte. 2 e 


He 


LANDSCAPE 


Tuis is a sketch of a marsh along the sea. An irregular shore- 
line, broken by small bunches of reeds and small grassy points, 
sweeps away from the foreground to the distance where there 
is a suggestion of low hills forming the horizon. In the right 
foreground is a small area of rough marsh, and beyond it, in 
the water, a pile and pieces of floating timber. 


Signed at the lower left, E. B. 
Height, 8 inches; length, 12 inches. 


No. 29 / 
MLLE. ROSA BONHEUR | 4 (4 


FRENCH /) ‘i 


1822—1899 ie 
A BLACK SHEEP MY, Oreee 


Tuis is a study of a full-grown sheep with black face and legs, 
short backward curling horns, and moderately heavy wool, dun 
brown in color. The sunlight strikes strongly upon the animal 
from the upper left, throwing a deep shadow on the grass 
against which the figure is relieved. 


Signed at the lower right, Rosa BonuweEvr. 


Height, 8 inches; length, 11 inches. 


No. 80 


\ OQ HENRI HARPIGNIES 
¢ € 


ogica ee” 
G Wal 


> ye : // 26 
SPRINGTIME | BS 
( Snr YY 7. - (5 


In the foreground a lover and his lass recline under a tall, 
slender tree, and beyond then is a pleasant sunlit valley, wind- 
ing down to the distance between partially wooded slopes. 


Signed at the lower left, H. Harvientss, ’74. 
Height, 6 inches; width, 31% inches. 


No. 31 


IVAN POKITONOW 
RUSSIAN 


; ake Contemporary 


THE GARDENERS 


In the foreground is seated a gardener dressed in white, and 
beside him stand two well-filled flower pots. Nearby is a small 
boy, bearing a basket on his head, evidently receiving orders 
from the gardener. Between the two figures leads a sandy path, 
with various turnings, to an arched gateway in the distance. 
Beyond straggling clumps of fruit trees in the middle distance 
on the left is the facade of a solitary building, and just beyond 
the two figures on the edges of the path stands a two-wheeled 
cart with poultry resting in the shadow. 


Signed at the lower right, I. Poxrronow. 


Height, 61% inches; length, 10 inches. 


9 a No. 32 


E. BERNE-BELLECOUR 
FRENCH 


1838— Wi, WJ Subl 


SOLDIER WITH FLOWERS 


A Frenca infantryman in full uniform, with sabre by his side, 
having plucked a large bunch of wild flowers, is busily engaged 
| in tying the bunch together. He stands in a grassy field near 
i a village, the roofs of which are seen just beyond him. 


Signed at the lower left, KE. Berne-Beviecour. 


Height, 1514, inches; width, 111% inches. 


No. 33 g 


ANTONIO CASANOVA Y ESTORACH a 
SPANISH up [Z 


Two monks, who find duty very pleasant in the kitchen, are 
engaged in roasting a leg of mutton in a Dutch oven. One of 
them winds up the clockwork which revolves the spit and the 
other is tasting the gravy. 


THE TEST 


Signed at the upper left, ANtoN1o Casanova ¥ Estoracn, Paris, 1896. 


Height, 13 inches; length, 16 inches. 


Pi tilts: 


JEAN BAPTISTE ROBIE 


flo FRENCH 


1821— 


FLOWERS 


A suncH of large roses, yellow, salmon pink and red, are 
thrown carelessly down upon the grass, and, strongly lighted 
from the upper left, contrast with the imdefinite green of the 

landscape beyond. 


Signed at the lower right, J. Rosin, 1884. . 
Height, 16 inches; width, 13 inches. 


O. 
nd a. 


ow JEAN LEON GEROME 


| 
/ ah w FRENCH 
W 1824—1904 
q 
4 ; THE SENTINEL 


Aw Albanian, in full native costume, stands near the doorway 
of what is apparently a guard-house. He wears a salmon pink 
jacket, a white fustanella and green sash, and carries two 
pistols and a yataghan in his broad leather belt. In the gloom 
of the interior, on the right of the figure, is seen a companion 
similarly dressed, who is conversing with two men, apparently 
prisoners. 


Signed at the lower left, J. L. Gtrome. 
Inscribed at the upper left, a Mr. Buumenstiex, J. L. GERomME. 

Height, 121% inches; length, 1534 inches. 
Presented by M. Gtérome to the late owner. 


rT acai aelibgl 


No. 36 


ETIENNE ADOLPHE PIOT 
FRENCH 


ih 
= La 
i, tg 


. 
Contemporary vagy, 
HEAD aur, - 
apy 


A .FuLL life-size study of a dark-haired maiden seen in profil 
perdu, with head upraised and eyes turned in the same direc- 
tion. Her bust is partly draped with a diaphanous mantle, and 
in her raised right hand she clasps a few roses to her bosom. 


Signed at the left, A. Pror. 
Height, 15 inches; length, 18 inches. 


From the Artisr. 


No. 37 f 
JEAN FRANCOIS RAFFAELLI _ \/ 0 
FRENCH en | K = A 
1850— , (© yy 


pee 112. 05 
AFTER A WALK ae | Fe Pb Lay, 


A wELL-To-po middle-class Frenchman is ea on a rude %, 
wooden bench near the borders of a stream, holding in his 

hands a newspaper which he has just finished reading. Beyond 

the figure and across the stream is a pleasant grove of trees, 

with the suggestion of a residence among them, and on the 

right a skiff with a single fisherman. 


Signed at the lower right, J. F. RA¥FFAELLI. 
Height, 12 inches; length, 18 inches. 


No. 88 


HIPPOLYTE CAMILLE DELPY 
FRENCH 


Contemporary 
LANDSCAPE 


In the foreground, on the low, grassy shore of a broad river, 
a group of women are engaged in washing clothes. In the mid- 
dle distance on the right is a small village partly surrounded 
by trees, with an old stone keep and a simple, lofty church 
with a belfry. On the left, across the stream, poplars and other 
trees grow upon the shore, and beyond them is a line of low, 
cultivated hills forming the horizon. Masses of warm-colored 
clouds drift across the sky near the horizon and float high in 
the heavens. | 


Signed at the lower right, H. C. Detpy, 798. 
Height, 171, inches; length, 28 inches. 


No. 39 


BAREND CORNELIS eae . 
oa aS AEN 
1803—1862 Cher, 


SKATING SCENE 


From the right foreground a frozen stream stretches away to 
the distance. On the right are a few cottages dominated by a 
steep-roofed circular tower, and on the left a clump of leafless 
trees growing among the underbrush on the bank of the stream. 
The surface of the ice is busy with skaters, and a few way- 
farers proceed along a road on the left bank of the stream. 
Cumulus clouds float high in the sky, a edges touched by a 
soft winter sunlight. 


Signed at the lower right, 1849. 


Height, 221, inches; length, 29 inches. 


foe 


No. 40 


q 
¢~”” HIPPOLYTE CAMILLE DELPY 
FRENCH 


Contemporary 


THE BACKWATER 


From the left foreground a backwater extends to the right 
under tall, slender trees, and forms a branch of the river which 
is seen in a shimmering expanse on the left. A number of fish- 
ing boats are moored to the banks of the backwater. Near a 


clump of trees in the middle of the composition a single fisher- - 


man is standing up in his boat ready to cast his line. A few 
clouds, their edges touched by the sunset glow, drift across 
the sky. 
Signed at the lower right, H. C. Derry. 

Height, 1614 inches; length, 291, inches. 


No. 41 


on” ADOLF ECHTLER 
AUSTRIAN 


Contemporary 


THE REPENTANT SINNER 


A MAIDEN and her lover have been strolling in the woods and 


are discovered there by a party of three Franciscan monks, ~ 


the foremost of whom stands near the youth apparently reading 
him a severe lecture. The maiden is seated on the grass, hanging 
her head shamefacedly. A small area of luminous sky is seen 
at the top of the picture and some birds flutter about among 
the tree tops. 


Signed at the lower left, Ap. EcuHTier, Paris. 
Height, 25 inches; width, 18 inches. 


Se ee 


No. 42 


ANTOINE VOLLON 


FRENCH 
1833—1890 


FLOWERS AND FRUIT 


Rep and white roses, in a coarse earthen jar with a handle 
at the top, are in strong light against a background of deep- 
colored foliage. On the table nearby are cherries, plums and 
pruning shears. The fruit and flowers are natural size and are 


strongly lighted from the upper left. 


Signed at the lower left, A. Votton. . 
Height, 191, inches; length, 231, inches. 


No. 43 


FRITZ THAULOW 


NORWEGIAN  #] 
 1847— 7 er 
GREEN-HOUSES ,... RA ode ted tee 


Tuis is a study of a nursery estabhehmient somewhere in the 
vicinity of a large town. In the foreground are beds of pansies 
and other flowers and a clump of rose trees in blossom. In the 
middle distance is an irregular group of glass houses with 
forcing beds alongside, and beyond is seen a wooded hillside 
with various red-roofed buildings, smoking chimneys and 
church towers. 


Signed at the lower right, Frrrz Tuavtow. 
Height, 211, inches; length, 29 inches. 


ke 


‘y 


No. 44 


RICHARD WILSON 


é bo, ENGLISH 
Be allure 1714—1782 


| ¢ * ENGLISH LANDSCAPE 


THE composition is classical in aspect and shows a grassy bank ~ 


in the foreground stretching away to the left, where it meets 
the foot of a crag on which are perched the buildings of a 
large town. Two figures form a prominent object in the fore- 
ground, one seated and one standing. Across a broad lake are 
seen wooded hillsides crowned with villas, and, in the remote 
distance, a symmetrical mountain peak rising against a quiet 
summer sky, across which are drifting clouds of smoke or 
steam, which rise from the valley just beyond the water. 
Height, 161, inches; length, 21 inches. 


\ 


No. 45 


JULES WORMS 


FRENCH 
1837— ia 


LE POURBOIRE Wher 


A TRAVELLER, who is just about to leave the inn where he has 
been sojourning, is beset by a housemaid and a porter, each of 
whom holds out an eager hand. A gayly caparisoned mule is 
held by the maiden and the young traveller seems more in- 
clined to cross her palm than to reward the man for his services. 


Signed at the lower left, J. Worms. 
Height, 17 inches; length, 211% inches. 


ae 
a ne 


No. 46 


SIR JOSHUA REYNOLDS y 
ENGLISH yr 


~-1728—1792 Was ,~ | ) yy 


HEAD | "Vorb o L} 


Tuis is a life-size study of a youth’s head, lighted after the 
manner of Rembrandt. It is in three-quarters view to the left, 
and the face is partly shaded by a broad-brimmed hat, the 
light being concentrated on the lower part of the face and 
flickering strongly on a steel gorget which surrounds his neck. 
The background is a simple tone of brown. 


Height, 161, inches; width, 13 inches. 
From Bovssop, Vatavon & Co. 4) {Lid 


No. 47 72 


FELIX ZIEM | i} | 
: FRENCH ;: ! 
1821— tes d 

) FES fh 


Tuis is a sketch for a picture evidently made in some part of 
the Adriatic. In the foreground is a bank shelving down to a 
broad harbor, and various figures in brilliant costumes are 
seated on mats in the left foreground, while two companions 
are dancing and gesticulating in front of them. On the left a 
single slender tree with a rounded tuft of foliage at the top 
rises high above the undergrowth with which it is surrounded. 


CONSTANTINOPLE 


Signed at the lower right, Ziem. 


ee pe Sines 


pe, 


4 


No. 48 


mm, 
| 5° f 

es Oke GUSTAVE COURBET 
\» . i bop FRENCH 


1819—1878 


A SWISS SCENE 


A curious rustic mill, partly of masonry and partly of wood, 
stands at the foot of a moderate-sized cliff partly overgrown 
with bushes, from which a tiny stream, led through a wooden 
conduit, flows upon an overshot wheel. The mill-stream flows 
around toward the left of the foreground and out of the pic- 
ture. On the right slender trees rise against a forest behind 
them. The sky is covered with soft luminous clouds. 


Signed at the lower right, G. Courset, 76. 
Height, 22 inches; width, 18 inches. 


No. 49 
{ 
LOUIS EUGENE LAMBERT 
FRENCH 
Contemporary 


CAT AND KITTENS 


Tue mother cat, accompanied by three small kittens, has been 
playing with a basketful of colored wools, and the four, sur- 
prised at their game, stare at the spectator. The background 
is a panelled wainscot, and on the left is a basket from which 
the cat and kittens have dragged a tangle of-colored wools 
which surrounds them. 


Signed at the lower right, L. Euc. LAMBERT. 


Height, 19 inches; length, 24 inches. 
From the Artist. 


No. 50 


MARIANO FORTUNY 
SPANISH 


1838—1874 ie) 


COURTYARD OF HOUSE IN MADRID 


Tuis is a sketch of a Spanish patio in a strong effect of light 
and shade. An open shed-like building extends across the pic- 
ture and the mass of shadow is broken by the slender supports 
of the roofs, upon which the sun strikes, and an open doorway 
through which is the suggestion of a hot thoroughfare. The 
foreground is covered with loose stones and other débris, and 
above the tiled roof is a simple blue sky showing between the 
sunlit facades of lofty buildings. 


Stamp of sale at the lower right. 
Height, 19 inches; width, 151, inches. 


From the sale of Forruny’s Atudionwelfects. 
a Shh 


ay 


No. 51 
Lk : 
/ iy Pres CESARE DETTI 
/ ai) SRPRAT LAN 
yet 1848— 
WATER EXCURSION 
Fan Design 


ee 

1G 

'y Ew 
On a broad terrace near the gateway of a chateau is a party 
of ladies and gentlemen, some of whom have just arrived in a 
coach which is drawn by prancing horses. On the left is a stone 
stairway leading to the water’s edge, where there are several 
pleasure boats ready to embark the crowd. On the left is an 


extensive view over a pleasant meadow through which a broad, 
placid stream flows. 


Signed at the lower left, C. Dertt. 
Height, 14 inches; length, 27 inches. 


é " LW No. 52 : 
, >” Ii. (ys PAUL JEAN CLAYS 
Py, § 


BELGIAN 
1819—1900 


CALM NEAR ROTTERDAM 


A croup of becalmed fishing vessels with bagging sails and 
drooping pennants forms the chief feature of the composition. 
Nearby is a rowboat filled with sailors, and on the left, in the 
‘middle distance, is a low point of land with various buildings 
and a number of craft moored to the shore. 

Signed at the lower right, P. J. Crays. 


Height, 161, inches; length, 241, inches. 
From the Crays Sale. 


No. 53 


FRITZ THAULOW 
NORWEGIAN 


1847— Me i fe CEs 
THE BROOK ae Aa, 


A Broan, rippling stream runs down to the foreground from 
the middle distance, where it makes a bend and disappears be- 
_ hind a wooded point. Here a small village straggles up the 
hillside from the bank of the stream, and beyond it is a line 
of low, rounded summits forming the horizon against a sky 
covered with luminous vapor. Fruit trees in blossom enliven the 
landscape here and there. 


Signed at the lower right, Frirz Tuavtow. 
Height, 1914 inches; length, 24 inches. 


No. 54 \ ff 
BERNARDUS JOHANNES BLOMMERS 
DUTCH 


1844— / 
dbz ey 1 Ae 
INDUSTRY 
A Dutcu# vrouw is seated near a window in her cottage, busily 


engaged in sewing on a white garment, and, at the same time, 
rocking a cradle in which an infant is lying. Beyond the cradle ... 


of sheep. NI ie 
x phon 
Signed at the lower right, BLommers. al 


Height, 1534 inches; length, 19 inches. 


No. 55 


, - EUGENE LOUIS GABRIEL ISABEY 
BF | j a FRENCH 
fe) yw 1804—1886 
| fo AFTER THE STORM 


In the foreground a rude bluff-bowed vessel is moored to a 
pier, and alongside is a boat with several men who are appar- 
ently taking the cargo from the vessel. She has evidently been 
through a severe storm, for her mast is broken off short, her 
sails are in disorder and she has lost her bowsprit. In the mid- 
dle distance beyond the vessel are various sailing craft and a 
few houses. The sky is covered with jagged clouds suggesting 
the effect of a severe gale. 
Signed at the lower right, EK. IsaBry. 

Height, 15 inches; width, 1114 inches. 


No. 56 
EMILE VAN MARCKE ,. 4. - Ww 
FRENCH i” i \ 


1827—1891 


LANDSCAPE AND CATTLE si 


Horses and cattle are feeding in a level, grassy pasture which 
stretches across the foreground where small pools of water 
reflect the light from the sky, and bunches of reeds and coarse 
grass grow in the wet places. In the distance on the left a 
lofty hill rises against the sky, and, with an adjacent lower 
ridge, forms the horizon line. The sky is filled with drifting 
storm clouds. 


Signed at the lower left, Em. VAN Marcxe. 


Height, 17144 inches; length, 291% inches. 


No. 57 


EDOUARD FRERE 


FRENCH 
1819—1886 


AA Mak, 


In a simple cottage interior a mother is seated near the cradle 
of her child sewing on a child’s garment. The light falls 
strongly upon the group from the upper left, throwing into 
luminous shadow the profile of the young mother, and accentu- 
ating the draperies and here and there the furniture. The back- 
ground is a simple plastered wall with a bird cage, a salt box 
and bellows hanging against it. On the left is a closet door 
painted a dull green. 


MOTHER AND CHILD 


Signed at the lower left, Ev. Frere, 58. 
: Height, 16 inches; width, 124 inches. 


( 
foe JOSE DOMINGO 


No. 61 


SPANISH gasuain 


1843— ral 


THE CABARET oT 


STANDING astride a wooden bench, on which stands a delft wine - 
jug, a cavalier in red doublet and breeches raises his right hand 
with a gesture of convivial welcome, while in his left he holds 
a tall glass half filled with white wine. The figure is partly 
relieved against a pier which supports a heavy wooden-timbered. 
ceiling. On the left of the figure is a large wine-cask, and on the 
right a guitar player is seated near a window, while his com- 
panion holds the casement open to let in light and air. 


Signed at the lower right, Domrineo, Paris, 1881. 


Height, 25 inches; width, 18 inches. — 


No. 62 


gh ANTONIO CASANOVA Y ESTORACH 


SPANISH 


THE MUSICIAN CARDINAL 


A carprnat in red robes is seated in a gilded chair playing on 
a cello, attentively reading the score from an old music book 
which rests upon a gilded lectern nearby. The figure is seen 
down to the knees and is relieved against a mysterious gray 
background. 


Signed at the upper left, ANtonto Casanova ¥ Estoracu, Paris, 1896. 
Height, 10% inches; length, 14 inches. 


No. 63 
MLLE. ROSA BONHEUR , a 3 
FRENCH 


1822—1899 Wf ae ay ie 


Tus is a study of a dapple-gray horse, seen nearly in profile 
to the left. He stands iii“a straw-littered stable, and, lighted 
from the left, is in relief against a rough plastered wall. 


THE HORSE 


Signed at the upper right, Rosa BonweEvr. 
Height, 12 inches; length, 151, inches. 


From the sale of the Artist’ ts. i 
‘rom ale of the Artist’s effects if [— 
ie if 3 \ 


“2 


No. 64 


ADOLF SCHREYER 
GERMAN 


1828—1899 oe ff (e Vv 
THE DESERT ? Bb fry) 


Turee Arabs with their horses have halted in the midst of an 
arid, broken plain. Two of them have dismounted, and the three 
are apparently discussing the direction they are to follow on 
their journey. Low, rugged elevations form the horizon under 
a deep-toned sky partly covereg °y cloud forms. 


Signed at the lower right, $ D 
anes Height, 1014 inches; length, 14 inches. 


' No. 65 
vw JEAN LEON GEROME 

FRENCH 

1824—1904, 


THE SENTINEL AT THE SULTAN’S TOMB 


A cuRIousLy painted and gilded sarcophagus stands upon a — 
carpeted floor in a mosquelike interior hung with multicolored 
flags. Richly embroidered and decorated banners on tall shafts 
surmounted by various gilded devices are ranged around the 
sarcophagus. In front of it two figures are prostrating them- 
selves, touching their foreheads to the ground. On the right 
a half-naked pilgrim devoutly kisses the end of one of the ban- 
ners, and on the left, in the foreground, a sheik, in rich salmon- 
colored burnous, stands in an attitude of devout attention. 


Paris, September 7th, 1895. 
65 Boulevard de Clichy. 
Dear Sir: 

I have heard that you have bought my picture “ Tidi-Abder-Rhamon’s 
Tomb ” and I beg to send you a few lines to explain the subject. . 

At the death of a holy musulman his fellows in religion build a little 
monument over the tomb, which is generally ornamented with flags and 
covered with draperies; these draperies are generally precious, often bearing 
inscriptions taken out of the Koran and written in the configues types. 

The ornamentation of the monument is in carved and painted wood; on 
the top are little domes. 

The musulman women (who they say. have no soul) are not allowed to 
enter the Mosque but are authorized to visit the tombs of the saints, where 
you very often meet them, specially on certain days. From the decision of 
a Council at the majority of one, the Christian women are declared to have 
a soul and are given the right to enter Churches and Temples. 

The subject of your picture is: A father with his two children has come - 
to perform his devotion, on the right a Santon (that is, a religious lunatic) 
kisses a flag. Very often the believer after the prayer and before leaving 
the church kisses the holy cloth. 

Please believe me, Dear Sir, 


Truly yours, 
Signed: J. L. GEROME. 


I forgot to tell that this tomb is situated very near the town of Algiers. 


Signed at the right, J. L. GEROME. 
H a 26% inches ; width, 22 inches. 


4 
tes % & } 
tN % sa aaa 


No. 66 


JULES ADOLPHE BRETON 
FRENCH 


1827— ? 
MWS, Ae 


Tue motive for this picture was found in Northern France 
near the country home of the painter. It shows a fertile farm- 
ing country with cornfields and shocks of grain and stacks of 
straw. Across a harvest field near the foreground a peasant 


RETURNING HOME 


man and woman are walking, the man carrying a scythe and 
the woman a heavy basket. In the distance farm buildings, 
clumps of trees and a church tower form the sky-line against 
a sunset in which the sun shows as a luminous red disk near 
the horizon. 


Signed at the lower left, Jutes Breton. 
| i Height, 111% inches; length, 17 inches. 
From the Artist. 


, we WH, 
; Me i? We a 
LAK nk ae aut XA. 


Se 


y No. 67 


FRENCH 
1812—1867_ 


STRETCHING across the foreground, which is in deep shadow, 
is a rough pasture with large trees growing here and there, 
the principal clump overhanging a small pool of water under- 
neath a rounded hill. The trees on the right and the hill on the 
left form an irregular silhouette against a brilliant sunset sky. 


Rea 


Signed at the lower left, Tu. Rousseau. 
Height, 111% inches; length, 18 inches. 


From the American Art AssociaTIon’s Sale, 1895. 


No. 68 Ce: G Vie 5 


WA As 
: _NARCISSE VIRGILE DIAZ DE LA PENA 


samamnr bast 6 


bays , 4 


A LarcE bunch of richly colored flowers of various sorts almost — 


fills the picture. They are in a strong light and in contrast 
against a background which suggests heavy foliage, with sky 


in the upper right of the composition. as 
1 CF 
mn 


Signed at the lower right, N. Dtaz. ie 
Height, 14 inches; width, 914 inches. 


? go ; 
yw THEODORE ROUSSEAU 2, 


a 
i < : 
‘hi * 


No. 69 


MARTIN RICO 
_ SPANISH 


1850— & Uy d 
« e Weel, 


A BRIDGE AT VENICE 


Near the foreground a slender bridge, with wrought-iron rail- 
ing, crosses a narrow canal in which various Venetian boats are 
floating. On either side rise against the simple blue sky the 
facades of various houses with characteristic balconies and 
windows. 


Signed at the lower right, Rico. 
Height, 14 inches; width, 9 inches. 


No. 70 


ANTONIO CASANOVA Y ESTORACH 


TESTING THE WINE 


~ Aw old monk, dressed in rough, white garments, is standing 
at the foot of a short flight of steps which lead into the wine 
cellar, and, raising a freshly opened bottle of some choice vin- 
tage, examines the color of the wine in the strong light. The 
figure is seen to just below the waist and the head is turned 
away from the spectator in profil perdu. 


Height, 1234 inches; width, 7%, inches. 
From the sale of the Artist's effects. 


SPANISH a WA | | 
RUZ 


l4 


ee 


( 


Mie 


" 


oe 


No. 71 


MW. { PAUL JEAN CLAYS 
BELGIAN 
\ 1819—1900 


A DUTCH FISHING BOAT 


Tus is a study of a characteristic fishing boat common in the 
North Sea and in the waterways of Holland and Belgium. She © 
is sailing directly across the river, or, rather, drifting, for the 
wind is very light and her colored sails hang in heavy folds. 
Beyond the boat is a suggestion of a low shore with various 
buildings and trees. : 


Signed at the lower right, P. J. Crays. 
Height, 11 inches; width, 81, inches. 


From the sale of the Arrist’s studio effects. ‘ 


No. 72 


q 
je JEAN JACQUES HENNER 
FRENCH 


1829—1905 


HEAD 


Tuts is the head of a young girl seen in profile, strongly 
lighted from the upper left, the flesh in vivid relief against 
a mass of auburn hair which falls from her head on either - 
side, and a piece of blue drapery which is thrown over her 
shoulders. 
Signed at the left, J. J. HENNER. 

Height, 817, inches; width, 6 inches. 
From the Artist. 


No. 73 


FRANZ VON DEFREGGER 
GERMAN 


1835— ey 
je of 


Tuts is the head and shoulders of a robust German peasant 
girl. She wears a loose brown jacket with a falling lace collar, 
and on her head a narrow-brimmed felt hat ornamented with a 
bunch of wild flowers. The head, which is seen nearly in full 
face, and lighted from the upper left, is relieved against a 
smooth gray background. 


Signed at the lower left, DerreccER. 


Height, 81 inches; width, 6 inches. 


No. 74 My? 


GUSTAVE JEAN JACQUET y 
FRENCH 


bee Oi. 
; ee, 


MEDITATION 
Tuis is the head and shoulders of a fair-haired maiden. She 
is seen nearly in full face, with the head slightly lowered and 
the eyes cast down. She wears a blue ribbon in her hair, a black 
one around her throat, and a pink silk mantle thrown over a 


blue bodice, trimmed with a pink ribbon. 


Signed at the lower left, G. Jacquet. 


Height, 1214 inches; width, 91% inches. 
From the Artist. 


I 
vA 
SF \ é 
ak z 


; No. 75 
Car” FRANCOIS FLAMENG __ 
f. FRENCH | aye 
1859— yh 
INFORMATION | 


A MoUNTED soldier of the time of Napoleon, who has pene- 
trated far into the Alps, halts for a moment in a meadow 


where a peasant is engaged in watching his sheep. From him 


the soldier attempts to gain information as to the road or the 
enemy’s movements, and the peasant emphasizes his language 
with a gesture of his right hand while he imperturbably smokes 
a long pipe. Beyond the group, across a small lake, is a view of 
arid foothills and serrated snow-peaks, and in the sky, glow- 
ing with late afternoon light, is the crescent of the new moon. 


Signed at the lower right, Francois FLAMENG. 


' Height, 11 inches; width, 8 inches. 


No. %6 


JEAN BERAUD 


FRENCH 
1849— 


Tus is a study of the Rue de la Paix in Paris, near the 
Avenue de |’Opéra. On the left are well-known shop fronts, with 
a hurrying crowd of Parisians on the sidewalks. In the fore- 
ground is a private brougham with a dressmaker’s boy and _ 
maid placing large pasteboard boxes in the carriage, while the 
fair purchaser waits near at hand. 


Signed at the lower right, JEAN BERAvp. 
Height, 14 inches; length, 21 inches. 


From the Artist. 


No. 77 


EUGENE LOUIS GABRIEL ISABEY 
FRENCH 


MARINE 


Ir is a breezy day in Holland and the bluff-bowed luggers are 
wallowing along in the rough waters of a broad canal. On 
the right is a green slope washed by the waves, where stands 
a windmill with spread sails, and beyond it a half-finished ship. 
The sky is covered with rolling luminous clouds, suggesting a 
gusty day. 
Signed at the lower left, E. I., ’65. 

Height, 8 inches; length, 121%, inches. 


No. %8 


FELIX ZIEM 
FRENCH 


1821— o | 
F. Kes, 


Tus is a view at the entrance of the Grand Canal looking out 
toward the Church of the Salute, the dome of which rises high 
against a sunrise sky. The warm light from the sun sparkles 
on the water beyond the palaces on the left and glows on the 
facades along the canal on the right. A single gondola floats 
on the water in the foreground. 


THE GRAND CANAL 


Signed at the lower left, Z1eM. 


From the Artist. 


, ; PRES 
i ¢ Ps ee 
: iletae RE : 

: Rage 


1804—1886 NDB 
eocy 


Height, 10 inches; length, 131, inches. 


a a 


No. 79 


JOHN M. SWAN, A.R.A. 
ENGLISH 


Contemporary 


LIONESS AND FOXHOUND 


A HUGE, tawny lioness and a young foxhound are lying close 
together on the floor of a cage. They are apparently play- 
mates, for there is a large ball lying near the paws of the 
lioness. The background is a gray wooden partition. 


Signed at the middle right, J. M. Swan, 1882. 
Height, 61, inches; length, 11 inches. 


No. 80 


: a ises— 
| THE POND p ny 


In the foreground a laborer is fishing in a small pond. Toward 
the right the water is almost covered by reed and sedge. Be- 
yond the pond, seen through a rank of trees in autumn foliage, 
is a pleasant landscape with country residences and, farther 


away, a high wooded hill. 


ayes 


Signed at the lower left, LAERMITTE. 


Height, 171/, inches; width, 13 inches. 


et wa No. 81 " 

ay ja® JEAN CHARLES CAZIN el 

wr es FRENCH a 4 & 
oe 1840—1891 Ate inte 

THE BROOK CT, yc, 


A narrow stream, flowing between low, grassy banks, leads 
from the right foreground diagonally to the left until it dis- 
appears under a rustic bridge. On the left is a deeply rutted 
road. Beyond the path which leads over the bridge, along which 
a single figure of a peasant woman is walking, is a grove of 
slender trees rising out of the picture. Between the trunks, 
and to the left, above a red-roofed cottage, is a sky covered 
with luminous clouds. 


Signed at the lower left, J. C. Cazin. 
Height, 16 inches; width, 12 inches. 


No. 82 


JOSEPH COOMANS 
BELGIAN 


1816—1891 es pe File 
FISHING Cn fhe 


A cLassicaL maiden, draped in a tunic which has fallen off 
her left shoulder and is raised high upon her thighs, is perched 
upon a rock overhanging a swiftly flowing streamlet, holding 
in her extended hand a small bamboo fishing rod, allowing the 
float to drift down the stream. Near her stands a small girl 
holding in front of her a net already partly filled with fish. 
Behind the group and extending out of the picture is an enor- 
mous tree with gnarled and scarred trunk and _ shattered f 
branches relieved against the green of a distant wood. ff 


Signed at the lower left, JosepH Coomans, 1865. | 


8 No. 83 
oy" ALBERTO PASINI yc 
ITALIAN ee 
1826—1899 W. Ae 


MARKET SCENE AT CONSTANTINOPLE 


In an open place in front of a large mosque in Stamboul is 
assembled a motley gathering of men and women in rich cos- 
tumes, partly in the shadow of two large trees and partly in 
the brilliant sunshine which illuminates the scene. Various 
natives are vending fruit and other wares, and on the extreme 
right of the group is a curious old-fashioned coach with a 
single horse. The sky is covered with a delicate mist and various ° 
birds flutter, above the trees and perch upon the mosque. 


© 
Signed at “the. lower right, A. Pastn1, 1869. e al 
M ho Height, 15 ai length, 26 inches. 
has pwn 
No. 84 
bi ' 
at Ryd EUGENE JETTEL 
a 
=) | AUSTRIAN 
"g< 
1850—1901 


ne 
RETURNING 
On the right a farmer mounted on a white horse, and leading 
a brown one, is proceeding along a well-travelled road which 
leads out of the foreground, bordered on either side by culti- 
vated fields. On the left is a small farmhouse with thatched 
sheds and hovels, and to the right of it is a larger establish- 
ment with a large thatched barn. In the foreground a few ducks 
waddle toward a small pool of water at the roadside. 
Signed at the lower left, KuGENE JETTEL, Panis, 92, 

Height, 17 inches; length, 24 inches. 


No. 85 


MARTIN RICO 
SPANISH 
1850— 


RIO SANTA MARINA 


Tuts is a study of one of the famous canals in Venice. On 
the right the ornate facade of a palace rises in a row of 
buildings which extends in perspective to the distance, and the 
opposite buildings rise out of the picture on the left. In the 
middle distance the canal is crossed by a slender bridge over 
which foot passengers are hurrying. A number of gondolas and 
other boats, some with occupants and some without, float on 
the quiet surface of the water. 


Signed at the lower left, Rico. 
Height, 281% inches; width, 18 inches. 


No. 86 


HENRY MOSLER, A.N.A. 
AMERICAN 


1841— Ga: E 4 f 
RETURNING HOME Lees ay 


Tuis is a study of a peasant girl bearing on her shoulders a 
large brass milk can. She is walking across an orchard which 
is vividly illuminated by strong sunshine, striking upon the 
figure from the upper right and casting deep shadows upon 
the rich grass. In the right, beyond the figure, are the roofs 
and gables of a village, partly in light and partly in shadow. 


Signed at the lower right, Henry Mosier. 
Height, 231, inches; width, 17 inches. 


No. 87 


FREDERICK W. KOST, A.N.A. 


AMERICAN 
1861— | 


NIGHT 


A sLuGGIsH stream extends across the foreground and reflects 


the stems of tall trees, the forms of two men near a fire on - 


the bank, and a long, low thatched building beyond. The 


feathery crests of the trees extend out of the picture at the 


top, and the sky suggests the approach of dawn. 


Signed at the lower left, Frep. W. Kost. 
Height, 20 inches; length, 24 inches. 
From the Artist. 


No. 88 
ae 
MARIE DIETERLE 


, FRENCH 


. Contemporary 


LANDSCAPE AND CATTLE 


A HERD of spotted cattle is strolling about in a marshy pas- 
ture, some of them already in a shallow pool of water which 
partly covers the foreground. Beyond the cattle, on the right, 
is a broad expanse of meadow, dotted here and there with feed- 
ing animals, and on the left two clumps of trees rise against 
the sky, which is covered with light, drifting clouds. 


Signed at the lower left, Mari DieTeRLe. 
Height, 24 inches; length, 291, inches. 


No. 89 } . 
JULES WORMS 


FRENCH ] 


1837— Al oCIC 


THE SPANISH FORTUNE TELLER 


In the patio of a Spanish inn a merry company of young men 
and women are gathered after a convivial meal. A gypsy fortune 
teller, dressed in a figured costume, has approached the group 
and is telling the fortune of one of the maidens. On the left 
a small boy, dressed in toreador costume, is anxiously smoking 
a cigarette and watching a number of pigeons which are seek- 
ing their food on the ground nearby. A straggling fig tree 
grows in the courtyard and its broad leaves are contrasted 
with the sunlit building beyond, and a small patch of blue sky ; 
is seen in the upper right of the picture. I 


Height, 23 inches; length, 31. inches. 
From the Mary Jane Morcan Sale, 1886. /y~ 178 2 yn K S% 


C by JM neal AV ‘ 


ent 


Signed at the lower left, J. Worms. . 
f 
| 


No. 90 


( o| ih FREDERIK HENDRIK KAEMMERER 


FRENCH 
1839—1892 


FISHING 

A youNG man and a young woman, seated on the edge of a 
grassy bank overhanging a broad river, are enjoying a day’s) 
fishing. He holds the pole while she, leaning on both arms, 


watches the sport attentively. In the foreground a pike and 
| various other fish, together with the fish basket and bait box, 
are scattered on the grass. Beyond the figures, the drooping 
q 3 branches of a willow screen the larger part of the river from 
| view. The figures are dressed in late eighteenth century cos- 
tumes. 
Signed at the lower right, F. H. KarEMMERER. 

Height, 2114 inches; length, 311, inches. 


| No. 91 

{ ths, % q ‘ 

| #460 ak LOUIS EUGENE BOUDIN 
i A ae, se Jaret 
is rt FRENCH », ¢ 
ain ¢ ‘ 1824—1898 % ~~ 


ON THE SHORE | 

From the left foreground a shelving beach sweeps away in a 
double curve to the distance where a low headland extends into 
| the sea. The waves toss and tumble upon the sand, and over- 
| 


head a violent windstorm, bringing rain in heavy showers, 
sweeps across the sky. A few sailing craft struggle with the 
wind. In the distance on the right along the seashore are sug- 
gestions of a wooden wharf and various figures. 

i | Signed at the lower right, E. Boupin, ’95. DEAUVILLE. 

| Height, 251, inches; length, 36 inches. 
From the sale of the Arvist’s studio effects. pant” 

J 


No. 92 é) 
GUSTAVE COURBET fi 4 i 
FRENCH Viele. / 
18191878 ( 


THE SURF 


A TUMBLING sea, breaking into many lines of wave crests, ex- 
tends across the picture. The sea is apparently dashing upon 
a steep shore, for the masses of foam in the foreground sug- 
gest that the water meets with abrupt resistance. The sky is 
covered with a mass of drifting storm clouds against which 
the distant wave crests form the horizon line. 


<= 


Signed at the lower right, CourBET. 
Height, 251%, inches; length, 32 inches. 


SS 


re enpeusie ae Ate 


No. 93 


CARL WUNNENBERG 


GERMAN 
1850— 


THE PEACE OFFERING 


A DARK-HAIRED maiden, dressed in a white tunic embroidered 
in gold, bears in either hand a flower-pot with an aster plant 
in full bloom. The figure is relieved against a gold background, 
bearing a geometric design, and behind the head is a gilded ' 
halo. 


Signed at the lower right, C. WUNNENBERG. 


Height, 351, inches; width, 201% inches. 
From the Artist. , 


No. 94 


HENRI LEROLLE 
FRENCH 


Contemporary 


FRENCH VILLAGE 
On the left a row of stone cottages, covered with rough thatch 


and partly overgrown by creepers, extends away in perspective 
a until it meets the edge of a wood. On the right side, in the 

foreground, stand two figures of peasant women gossiping, 
and on the right is the corner of a rough stone wall. The 
| sunlight falls upon the scene from the upper right, casting 
luminous shadows on the walls of the cottages and across the 


dusty road. 


| 
| Signed at the lower right, H. Lerorie. 
| Height, 25 inches; length, 3114 inches. 


No. 95 


JULIEN DUPRE 


FRENCH 
1851— 


HARVEST 


A NuMBER of peasants, chiefly women, are busily engaged in 

taking up the new-mown hay and loading it upon a large 
| wagon. On the left a sturdy peasant woman raises a huge fork- — 
| ful, and on the right a companion is raking the hay into piles 
convenient for loading. The foreground is in shadow, and be- 
yond is a strong passage of sunlight, across a meadow in 
| which several haymakers are at work. A low ridge of wooded 
hills forms the horizon and the sky is filled with turbulent 
| storm clouds. 


Signed at the lower left, Jutien Dupre. 


Height, 261, inches; length, 391, inches. 
From the Artist. 


No. 96 


ro 
OTTO DE THOREN fad 
DUTCH 


1828—1889 
RETURNING FROM HARVEST Zi 


In the foreground a Hungarian farm wagon, drawn by two 
horses and led by a peasant in characteristic costume, is pro- 
ceeding along a rough pasture on the shore of a broad river. 
In the wagon, seated on the straw, are a mother and child, and 
a young man. The horses have difficulty in drawing the load 
and one of the peasants is tugging at the wheel. In the dis- 
tance behind the wagon is a second one similarly laden, and 
on the left is seen the broad expanse of a quiet river, with a (| 
low line of hills beyond, and overhead a luminous sunset sky. 


F 
Signed at the lower right, O. pz THorEN. t! 
Height, 24 inches; length, 34 inches. ti 


e” bf 
No.- 97 a | 
GEORGE INNESS, N.A. ae H 
AMERICAN J 
v 


1825—1894 


THE LAST OF THE MOHICANS pe 


In the foreground an enormous tree, with a scarred pele __| 


gnarled trunk and straggling and twisted branches, grows on 
the edge of a small ravine through which a brook flows. 
Underneath the tree an Indian and a hunter, who have just 
slain a deer, sit upon the grass, intent upon watching some 
object in the distance. The foreground is in shadow and the 
middle distance beyond is strongly illuminated by the sunlight. 
Here and there through the dense foliage are glimpses of the 


blue sky beyond. 
Height, 2514 inches; length, 36 inches. 


} SUMMER 


4 No. 98 
oi 


FERDINAND HEILBUTH 


GERMAN 
1826—1889 


In the foreground three pleasure boats are moored to the grassy 
shore of a pleasant winding stream, and four young ladies 
in gay costumes are basking there in the sunlight. Beyond 
the group, and on the other side of the placid stream, is a 
large clump of trees, and farther away the river disappears 
in a mysterious distance, where a low line of hills forms the 
sky-line. The sunlight is modified by a thin stratum of mist, 


suggesting a scorching summer day, vr aa ‘ee 


gy 
Signed at the lower right, xrzsuru. yee 


Height, 22 inches; length, 36 inches. — 


No. 99 


LEON BAZILE PERRAULT 
ad FRENCH 
: Contemporary 


: 
v ee AFFECTION 


ee 


yh A PEASANT mother, wearing a coarse, low-cut white chemise, — 
a 


a blue bodice and a dull mauve petticoat, is seated on a stone 
bench holding a small child on her knees, kissing his upturned 
face with maternal tenderness. The figures are of the size of 
life and relieved against a masonry background. On the right 
a grape vine grows against the wall, and the mother’s knitting 
is lying on the stone seat beside her. 


Signed at the lower left, L. PErrautt, 1894. 


Height, 39 inches; width, 32 inches. 
From the Artist. 


ee eS 


No. 100 


LEON BAZILE PERRAULT 
FRENCH 


Contemporary 
ae Carel, 
THE GRAPE GATHERER ’ 


A peasant maiden, dressed in coarse and patched garments, 
is standing near a wall against which grows a grape vine with 
clusters of ripe fruit. With both hands raised she cuts a bunch 
from the vine, at the same time turning her gaze upon the 
spectator. Beyond her on the left, seen partly between the 
branches of the vine, is a glimpse of a wooded park or gar- 
den, and on the right, near the feet of the maiden, stands a 
basket already well filled with bunches of grapes. 
Signed at the lower right, L. Prerravtt, 1893. 

Height, 391, inches; width, 251, inches. 


No. 101 


AUGUSTE HAGBORG 
GERMAN 


Contemporary V4 pf 
@ Cd 


HOME FROM HARVEST 


A youne peasant, in the coarse garments of his class, carry- 
ing over his shoulder a rude cradle for harvesting grain, is 
trudging along a sandy country road, accompanied by a 
maiden who bears over her shoulder a shock of wheat glean- 
ings. Beyond the group is a simple landscape, showing on the 
left a gentle sloping pasture and on the right a tiny village. 
The ruddy sun is just setting in the distance and the sky is 
covered by small cloud forms. 


Signed at the lower right, Hacxore. 
Height, 3914 inches; width, 311, inches. 
From the Artist. 


a 


; 
ae 
See 
j 
4 


= En ee oe 


ak SENT ee penn NS a MS re aba Seperate aaa 
SS Se See ee Se ee ee nd 


No. 102 


JULES JOSEPH LEFEBVRE 
FRENCH sg. 
1834— - 


THE FRUIT SELLER we 


A BARE-FOOTED Italian maiden, in characteristic dress, con- 
sisting of a white chemise with red half sleeves and bodice, a 
yellow petticoat, blue apron and headdress of white stuff, stands 
H against a rough wall, her head upraised, engaged in knitting 


1 a striped red stocking. On the right is the opening of a fruit 


shop where fruit and vegetables are exposed for sale. 


i Signed at the lower left, Jutes LEFEBVRE. : 
Height, 41 inches; width, 24 inches. 


| ie : No. 103 
tae ad 
aA el P. .MARCIUS SIMONS 


FRENCH 


Contemporary 


THE CITY OF OPHIR 


In the distance, the golden city, with a multitude of domes, 
turrets and towers, shimmers in the strong sunlight against 
a sky partly covered by rapidly drifting kaleidoscopic-colored 
clouds. From the city gates a multitude of inhabitants pours 
i down to the shores of a broad canal which flows from the 
| right distance out of the picture. In the left of the foreground : 
| is a broad quay with a large crowd of people, and floating on | 
| the canal nearby are various craft with brilliant-colored sails, 
all filled with passengers. 


i | Signed at the lower right, P. Marcius Simons. 


Height, 341/, inches; length, 434% inches. 
From the Artist. 


— = Sl ee ee 


). 2. 0 


No. 104 


WILLIAM M. CHASE, N.A. . / 


AMERICAN x Uf 7 
1849— _ a. 
A 
CARMENCITA . : 


Tue full-length figure, about two-thirds life-size, of the famous 
Spanish dancer. Resting her weight on her left foot, and 
touching the floor with the toe of her right, she swings her 
body in profile, and, throwing back her head, raises both her 
arms, at the same time clicking the castanets. She is dressed 
in a sleeveless bodice and short, full petticoat, elaborately em- 
broidered and trimmed with gold, and from her waist flutters 
a scarf of gold tissue. At her feet her admirers have thrown 


bunches of roses and a gold bracelet. 


Signed at the lower right, Wm. M. Cwase. 
Height, 70 inches; width, 40 inches. 


No. 105 Lr iy 


PROFESSOR WILHELM KRAY 


GERMAN ao ae 
Contemporary A Ki >, Lay 
PSYCHE Chez 
Tue full-length figure of the classical maiden, partly draped 
in a diaphanous mantle, sits half-crouching on the rocks at 


the seashore, resting her upraised head on her left hand. On 
her shoulders are butterfly wings with iridescent colors. The 


upper part of the figure is relieved against a warm-toned 
sky, and near the feet, which rest on jagged rocks, the sea 
breaks in masses of foam. 


Signed at the lower left, W. Kray. 
Height, 441, inches; width, 291, inches. 


No. 106 


MAURICE LELOIR 


FRENCH 
1853— 


THE HARVEST FESTIVAL 


In the foreground, floating on a placid stream, is a rowboat 


gayly decorated for the harvest festival. As a figurehead in the © 


bow is a shock of wheat, with various farming implements, and 
bearing a stuffed cockerel perched between the tines of a wooden 
pitchfork. Along the gunwales are fastened garlands of flowers 
and leaves, and in the stern, under an embroidered canopy, 
with bunches of flowers on either side, the master, his wife and 
small child are seated on a couch covered with ripened wheat. 
Two rowers tug at the oars and four musicians are busily 
playing. Beyond the boat is a steep, grassy bank, with a large 


clump of pollard willows, and on the crest of the bank, against 
the sky, is seen a procession of laborers on their way to the — 


festival. The costumes are all of the late eighteenth century. 


Signed at the lower right, Maurice Letorr, 1882. 
Height, 71 inches; length, 110 inches. 


No. 107 


JULES JOSEPH LEFEBVRE My 
FRENCH 


1834— 2 ie 
PANDORA Tip 


Tue slender, youthful figure of Pandora stands facing the 
spectator, holding with both her hands a small ivory box. 
From her right arm fluttering drapery sweeps over her shoulder Hy) 
and behind her head, above which is a six-pointed star spark- Ht 
ling in the murky atmosphere. A chaplet of gold laurel leaves ) 
surrounds the head. The maiden is walking on a rocky plain, if 
suggesting a thin crust over underground fires, for steam en | 
mounts from various crevices, and a volcanic light accentuates : 
the rocks and glows in the horizon. 


Signed at the lower right, Jutes LeFEsvne. k 
Height, 52 inches; width, 25 inches. i 


a kee Pee So Pas” Ba \ Ue OSA BP oat eg ah a hs a eS ee a ie ye Se bh ad . en 
RR NOT ER i kers er PistT (NMG Say at A Ms? | ene rah! | 
Miia wR TRA SAS a ; ‘ i é 


iL “SECOND EVENING’S SALE 


; _-—s&#FRIDAY, FEBRUARY 16, 1906 
f AT MENDELSSOHN HALL 
q BEGINNING PROMPTLY AT 8.15 O’cLOCK 


DRAWINGS 


No. 108 


JEAN FRANCOIS MILLET 


FRENCH yl We free Ge 


, 1814—1875 ' v I 
; 17, lta | 
WRESTLERS f 40 ae 


| A pen and ink sketch of two nude figures wrestling. 


Signed at the lower right, J. F. M. 
Height, 6 inches; width, 434 inches. 


No. 109 


q 


JEAN FRANCOIS MILLET 
o v ety f wer FRENCH 
[} we 1814-1875 ye 


| i : h} 
mn ow A FRENCH VILLA ee 
| Aw outline in pencil of a small Aaa DN in a narrow valley. 


Signed at the lower right, J. F. M. ) 
Height, 3 inches; length, 43/4 inches. 


} 
P| 
a 4 
| 


LA MANCHE 


A PENCIL sketch of two Channel vessels, with bellying sails, wal- 
lowing through a heavy sea. 


Signed at the lower right, J. F. M. 
Height, 21, inches; length, 4 inches. 


No. 110 


MLLE. ROSA BONHEUR 


FRENCH 
1822—1899 


A ne ae HORSE FAIR 


Two pencil sketches, probably early suggestions of the com- 
| position of the artist’s famous picture, ‘The Horse Fair.” 
awl In the upper sketch the composition is quite fully developed. 


Signed at the lower right, Rosa B. 
Height, 7 inches; length, 11 inches. 
From the sale of the Artist's studio effects. 


Bre 
Prey reyes 


ay. 


SSS ae 


No. 111 


JOSEF ISRAELS 
DUTCH 


Pe VA. 
in 


18 Va 
to iat } 
} Mf i 
4 bt 
dF 
a it 
ne 
3 ¥ : ih 
f % & qa 
PENCIL DRAWING a : it 
4 Nan 
be a e Rl 
Lt ea dat] 
Ast 
lat 
Hip 
iy f 


A FULL-LENGTH figure of a Dutch peasant seated on a wooden 
bench with both hands resting on his knees, his head slightly 
inclined upon his chest and his eyes raised. He is in his shirt 
sleeves and wears a woollen cap with a broad visor. 


Signed at the lower right, Jose¥r IsraEts. 


Height, 111, inches; width, 614 inches. 


No. 112 


WILLIAM ADOLPHE BOUGUEREAU 


FRENCH Vs, i 
ale 
1825—1905 , | O—_| 


A stupy in pencil and white chalk of a nude female figure, 
seated facing the spectator, with her left leg across her right ae 
and her right arm extended at full length across the left thigh. ‘e ii 


Her left arm is raised and her head is turned toward the right {i 
shoulder. ; 


FEMALE FIGURE 


Signed at the lower right, Wm. BoucuEREav. 


Height, 11% inches; width, 6°, inches. 


No. 113 


MLLE. ROSA BONHEUR 
FRENCH 


Werks C (2 Paha 


Aw outline drawing of a rearing horse, with a rider, done in 


black crayon on charcoal paper. The animal and rider are seen — ] 


in profile. 


| 

| 

| 

| DRAWING 
/ 

| 

} 

| 

| Signed at the lower right, Rosa B. 

| Height, 91/, inches; length, 121/, inches. 


From the sale of the Arrist’s studio effects. 


| No. 114 


| LOUIS EUGENE BOUDIN 


FRENCH 
] 1824—1898 


- SKETCHES 
p 


TueEse two sketches, in one frame, are from motives found on 
i the seashore. The upper one shows a rowboat full of passen- 
| gers about to leave on a water excursion. The lower sketch 
} shows two fishing boats, moored to a broad stone quay on 
which several figures are standing. 


1 Inscribed on the back: “Ces deux aquarelles sont du peinteur, E. Bounty. 


i J. ALLARD.” ; 
Height, 15 inches; width, 8 inches. 


No. 115 


LOUIS EUGENE BOUDIN 


FRENCH Sf iy: 


1824—1898 
DORDRECHT | GA Sbe 


Tuts is a sketch, partly in water color and partly in pencil, 
of the interesting old Dutch town seen from the river bank 
at Pappendrecht, opposite. - 


Signed at the lower right, E. Boupin, and inscribed at the lower left, 
Dorprecut, *75. 
Height, 81%, inches; length, 13 inches. 


No. 116 
JOHN BARTHOLD JONGKIND ISH aoe). i 
DUTCH | t 
1822—1891 a IS ' 
A DUTCH CANAL hey 


Black and White t 
Tuis is a sketch of a broad canal near the town of Dordrecht 
in Holland. From the foreground, on the right, a broad foot- 
path sweeps to the right and then makes a turn to the left, 
following the bank of the canal, on which a large barge is 
floating. In the distance is visible the lofty spire of a church \ 
rising high above the surrounding trees. 


Signed at the lower left, Joncx1np, Dorprecnt. 


Height, 10 inches; length, 15 inches. 


AGG 


yw 


No. 117 


CHARLES EMILE JACQUE 


FRENCH ty 
d | Le 1813—1894 —¥ W i 
iN 
IDYL , “ 


Black and White 


In the foreground a sturdy shepherd marches along at the 
head of his flock of sheep, which are feeding over a pasture, 
clasping around the shoulders a young girl, who leans confid- 
ingly against his chest. On the right of the group a black 
shepherd dog guards the flock, and, in the middle distance, a 
great clump of trees rises against the sky, while on the right 
there is a wide view over cultivated fields and meadows. | 


Signed at the lower left, Cu. Jacque. 
Height, 15 inches; length, 201, inches. 


PASTELS AND WATER COLORS 


No. 118 
LOUIS EUGENE BOtl 


a 
FRENCH A, biG WY 


1824-—1898 


SUNSET 


Tue sun is nearing the horizon, where a narrow band of clouds 
stretches across from right to left, and partly conceals the 
- luminous disk. The glowing light, which touches a mass of 
cumuli higher in the sky, is reflected in the foreground on the 
tossing waves of the sea. 


Signed at the lower right, E. B. 
Height, 71, inches; length, 1014 inches. 


| 
(, iC 1824—1898 


‘LANDSCAPE ig 


No. 119 


LOUIS EUGENE BOUDIN 


FRENCH 


AFTER THE STORM 
Pastel 


Tus is a sketch of a turbulent sky suggesting the aftermath 
of a storm. The torn and jagged clouds are strongly lighted 
by the glow of early sunset. In the foreground is a sugges- 
tion of an open sea. 


Signed at the lower right, E. B. ' | 
Height, 7 inches; length, 101%, inches. 


No. 120 


NARCISSE VIRGILE DIAZ DE LA PENA 


FRENCH 
1807—1876 


Water Color 
Aw open glade in the forest with gnarled trees on either side 
framing a sunlit vista beyond. The foreground is in shadow 


and is broken by a tiny stream which flows between low, grassy 
banks. 


Signed at the lower right, N. D. 
Height, 514 inches; length, 8 inches. 


No. 121 


_ LOUIS ALEXANDRE LELOIR A. ty 
FRENCH 


1843—1884 wee 


THE GUITAR PLAYER 
Water Color 


A youne lady, dressed in ample Chinese robes, which are richly 
embroidered and trimmed, is seated on a Turkish rug holding 
with both hands a curious mandolin or guitar, with a long neck, 
on which she is playing with an ivory plectrum. Behind the 
figure is a Chinese screen ornamented by conventionalized forms 


of animals and marine monsters. We 


Signed at the lower right, Lovis Lrtorr, ’72. : 
Height, 914 inches; length, 131, inches. ie 
No. 122 : 


LUDWIG PASSINI SOO 
FRENCH 


1832—1903 1a ‘es Gaz, 


Water Color 


ih 
1) 


HEAD 


Tuis is a study of the head and shoulders of a Venetian girl. 
The head is seen in three-quarters view to the left, the eyes 
slightly turned away from the spectator, and her brown hair 
is somewhat dishevelled. Around her neck she wears a red, black 
and white striped and plaid kerchief, knotted over a striped 
mauve bodice. 


Signed at the upper left, Lupwic Passin1, VENEZIA. 
Height, 101% inches; width, 7 inches. 


| No. 123 
pees 


Vas CHARLES OLIVIER DE PENNE 


FRENCH 
1831—1897 


THE MEET | 
Water Color. Fan design 


A LARGE party of ladies and gentlemen have assembled for a 
day’s hunting in a large park or forest in France. On either 
side in the foreground are foxhounds, some of them in leash, 
some of them resting in the care of keepers, and in the middle 
distance are groups of ladies and gentlemen, all in hunting 
costume, with carriages containing visitors. Beyond this group 
is a broad allée stretching away to the distance between thick 
woods on either side. 


Signed at the lower right, O. DE PENNE. | 
Height, 11 inches; length, 22 inches. 


OIL PAINTINGS 


No. 124 SST 


ANTONIO CASANOVA Y ESTORACH C ) 
SPANISH 


TESTING THE WINE 


Two jovial, old Franciscan monks are apparently engaged in 
drinking a companion’s health, for one of them holds in his 
raised right hand a tumbler half full of wine, and seems to 
be uttering some friendly sentiment. The heads are in relief 
against a modified blue background. 


Height, 4 inches; length, 41/4, inches. 
From the Casanova Sale. 


No. 125 | 
i j i 
CHARLES EMILE JACQUE | we, ns I 
FRENCH ie SD Aenean 
) N 
1813—1894 AY 1A vie 


HENS hae i 
A suack hen seeks for food in the straw upon which a white | 


companion sits, apparently covering a setting of eggs. { 


Signed at the lower left, Cu. Jacque. i 
Height, 43, inches; width, 6 inches. 


No. 126 © 


GUSTAVE JEAN JACQUET 


FRENCH 
1846— 


THis is a study of a young girl of ten summers or so, the 
head seen nearly in profile to the left and the eyes turned in 
the same direction. Her flowing brown hair is bound to the 
head by a slender ribbon, and a loose white drapery falls over 
both shoulders. 


Signed at the lower right, G. Jacquet. 
Height, 81% inches; width, 6 inches. 


No. 127 


ANTONIO CASANOVA Y ESTORACH 
SPANISH 


TWO MONKS AND A CARDINAL 


THREE studies of ecclesiastical type framed together. 


The left represents a monk, with a smile of pleasant anticipa- 
tion on his face, filling a wine glass from a bottle. 

The middle figure shows a discontented old Capuchin monk 
looking over his spectacles. 

The figure on the right shows a jolly old cardinal reading an 
amusing book. 


Signed on the backs, A. Casanova ¥ Estoracn, 1897. 
Height, 31, inches; width, 2% inches each. 


No. 128 


MLLE. ROSA BONHEUR> 7 


FRENCH 
1822—1899 


THE QUARRY be Wectiherg 


A uiver and white setter dog has found a rabbit hiding under 
some low bushes, and rigidly crouches, pointing at the same 
time with his sensitive nose. Beyond the dog is a vista along 
the edge of a large forest to a mysterious distance. 


Signed at the lower right, R. Bonnevr, 1859. i 
Height, 814 inches; length, 101% inches. ni 


No. 129 i 
FELIX ZIEM eS pia 2 
FRENCH ) | 
1821— ” . 
i... Ls 


Tuis is a study of early morning effect along the Canal San 

Marco. The left foreground is a flat, level beach partly ex- 

posed by the receding tide, and fishermen are busy there with 

their nets. In the middle distance, on the right, are seen the | 
facades of the Riva, and on the left a fishing vessel with col- 
ored sails is lazily floating on the placid canal. The sky is f 
covered with a luminous mist, the light being concentrated near 

the middle of the picture. 


Signed at the lower right, Ziem. 
Height, 81/7, inches; length, 11 inches. 


No. 180 


i ue JEAN JACQUES HENNER 


FRENCH 
1829—1904 


) 0 a Ke HEAD 


Tuis is a study, in profile, of a maiden of classical type, with a 
wealth of brilliant auburn hair unbound and flowing in loose 
masses over either shoulder. The light falls from the upper left, 
accentuating the mass of hair, the face and the bust, and 
bringing them into strong contrast with the deep tones sur- 
rounding them. 


Signed at the lower left, J. J. HENNER. 
Height, 10 inches; width, 7 inches. 


From the Artist. 


No. 181 


FELIX ZIEM 


| i al FRENCH watt | 
| y? | 1821— nad 
: , NIGHT ON THE LAGOON i 


In the foreground a gondola with a single oarsman is rapidly 
approaching the broad band of light where the full moon, 


breaking through the clouds, is reflected on the twinkling sur- 
face of the broad lagoon. A brilliant red light on the gunwale 
of the gondola comes out vividly against the dark mass. On 


the left, in the distance, is the Campanile and the mysterious 
forms of the adjacent buildings. 


Signed at the lower left, Ziem. 
Height, 7 inches; length, 11 inches. 


Ma ‘* ie 
, (a At: e. 

i ae 3 

i ray 


No. 182 


ANTONIO CASANOVA Y ESTORACH 


SPANISH 


A CARDINAL and a monk are seated opposite one another with 
a tea table between them, the former leaning back in an easy 
chair pouring liquor into a teacup, and the monk, watching 
the operation through his spectacles, pauses for a moment in 
the reading of his breviary. The figures are in relief against 
a grayish brown background. 


Height, 814, inches; length, 1014 inches. 


From the Casanova Sale. 


No. 133 


I. H. J. T. FANTIN-LATOUOR 


FRENCH 
1836—1905 


citi Wee zp" a ee Gorn 


A FULL-LENGTH female figure is eatea on a rock apparently 
near a pool of water in which she is about to bathe. Surprised 
by the approach of someone, she turns her head away and 
hastily throws about her a piece of loosely flowing drapery. 


Signed at the lower left, Pantin. 
Height, 91, inches; width, 8 inches. 


THE CARDINAL AND THE MONK K .. VA fue ih 


een TS a 
SS 


Sa ee 
SE 


= 


Se 


Soe as ee 


CHARLES EMILE JACQUE 


wih Ve tgpyrer! FRENCH 


| | i 1813—1894 
i L0- POULTRY 


A Gamecock and several hens of different breeds are busy 
searching for food in the straw at the foot of a plastered 


| No. 134 
a 


| wall. The sunlight strikes strongly upon the cock and a white 
hen in the foreground, casting luminous shadows on the yellow 
straw. 


Signed at the lower right, Cu. Jacque. 
Height, 5 inches; length, 81, inches. 


No. 185 


| pen CHARLES CAZIN 
| | y vata FRENCH 

\ (h paid V 1840—1900 

| BRITTANY LANDSCAPE 


A RED-TILED, roughly plastered cottage, with a few small out- 
buildings and a neighboring straw stack, form a prominent 


group in the broad expanse of a farming country where no 
other habitation is visible. From the left foreground a sandy 
path winds away to the right. The sun, which is nearing the 
horizon, shines through a soft mist which covers the sky. 


Signed at the lower right, J. C. Cazin. 


Height, 5 inches; length, 81 inches. 
From the Artist. ¢ LT en e 


n aoe Ne la Ys yy? ] 
Ye q a (ah | 
% % 


No. 186 


JACOB MARIS 


DUTCH 
1838—1899 


Aw old walled town with turreted gates stands near the shores 
of a wide bay or inlet, and near the water gate, which is the 
principal object in the composition, two fishing boats are 
moored. The moon is near the zenith and is reflected in a broad 
band of light on the rippling water. In the foreground two 
figures are walking along the beach toward the town. 
Signed at the lower left, J. H. Maris. 

. Height, 5 inches; length, 8 inches. 


No. 137 


JEAN CHARLES CAZIN 


FRENCH 
1840—1900 


Pe nsckrr Of Ch ibhache 


A GRASS-COVERED meadow extends across the foreground, and 
in the middle distance are several haystacks and a large, rounded 
tree standing on the crest of a slope, which apparently descends 
to the edge of the forest beyond. The light in the sky is con- 
centrated on a large cloud form in the upper right of the 
picture. 


Signed at the lower left, J. C. Cazin. 


eS Height, 5 inches; length, 81, inches. 
From the Artist. 


ri s re » . os 
i See fw! ~ Ps r yi 
age: / 4 
y ee 
Sn v\ 
*" 4 . ~ 


ON THE ZUYDER ZEE Geo EK berspecice Lo? 


{00-1 


No. 188 


JEAN JACQUES HENNER 


FRENCH 
1829—1905 


MIDSUMMER M. Ma reer WEE. 


A sEMICIRCULAR ivory panel; on which the artist has painted the 
full-length reclining figure of a nude female in full sunlight. She 
lies upon her right side, her head resting on her hands against 
a low bank, and her left leg, extended at full length, crossing 
the right one. Above her, and a little to the right, a simple 
blue sky shows between clumps of trees. a 
This little composition was painted for the middle panel in 


a displayed painted fan. 


Signed at the lower left, J. J. HENNER. 
Height, 4 inches; length, 8 inches. 


No. 189 


JEHAN GEORGES VIBERT 


FRENCH 
1840—1902 


THE ARTIST CARDINAL 


Aw old cardinal in full robes, wearing a red velvet hat, a la 
Rembrandt, is painting on a large canvas which stands on an 
easel in the left of the picture. He holds his palette, brushes 
yvz and maul-stick in quite a professional manner, and is appar- 


ently not altogether an amateur. ' i\e.. 
1 . ye 


Signed at the lower right. J. G. ViBert. , 
Height, 10 inches; width, 744 inches. 


From the Artist. 


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No. 140 


LOUIS EUGENE BOUDIN 


FRENCH 
1824—1898 


BRITTANY INTERIOR Jiro Wi lCroe 


In a cottage interior are two peasant women in characteristic 


- costumes, one of them seated at a curious spinning wheel, the 


other holding in her lap a young child. In the background are 


suggestions of heavy pieces of furniture, and in the foreground 


two hens are seeking food on the floor. 


“Signed at the lower right, E. B. 


Height, 814, inches; length, 1014 inches. 


No. 141 


HENRY MOSLER, A.N.A. 


AMERICAN 
1841— 


THE FAGGOT GATHERER Ket 


In the foreground, toiling down a steep hillside, is a peasant 
woman bearing on her back a heavy burden of large faggots. 
The figure is in shadow against a background of trees and 
underbrush strongly illuminated by sunshine. 


Signed at the lower left, Henry Mosier, ’99. 
Height, 12 inches; width, 9 inches. 


No. 142 


JULES WORMS 


FRENCH | 
1832— 


A DIOS 


A SpaNIsH guitarist, in fancy dress, stands beneath the barred 
window of his lady love, with whom he is earnestly conversing. 
Beyond the musician is a narrow passage-way or alley bridged 
over by a room. 


Inscribed at the lower left: A mon ami SCHENCK. or . Worms. 


Height, 16 inches; width, 61, inches. | 


No. 143 


THEOPHIL H. DE BOCK 


DUTCH 
1850—1904 


LANDSCAPE NO lems 


BrYonpD a grassy meadow in the foreground rises a great ledge 
of rocks, at the foot of which several figures are assembled. 
On the right of the rock is a dense forest, and slender trees 
straggle up the slope to the summit of the elevation. Large 
cumulus clouds float across the sky. 


Signed at the lower right, Bocx. 
| Height, 101, inches; length, 17 inches. 


No. 144 


PAUL JEAN CLAYS 


BELGIAN 
1819—1900 


BOATS LEAVING OSTEND Ve Nartewg er 


Tuts is a study of the shallow North Sea near the Belgian 
coast while it is lashed by a heavy storm from the southwest. 
In the left foreground two vessels are struggling with the 
waves, and on the right two fishing boats are tossing in the 
rollers. In the horizon, where the storm clouds cast an immense 
shadow on the water, are various fishing craft and a single 
steamer. 

Inscribed at the lower left, Vente P. J. Cuays. 


Height, 101%, inches; length, 191, inches. 


No. 145 


FREDERIK HENDRIK KAEMMERER 


FRENCH 
1839—1892 


et has VA 
AFTER THE BALL ert, Kicller’ 


A roune lady, evidently exhausted after her appearance at a 
fancy-dress ball, has thrown herself carelessly upon the cush- 
ions of a divan behind a table on which is a large jardiniére 
filled with roses. Her head is thrown back and her dishevelled 
hair is spread out upon the cushions on either side. She is dressed 
in blue satin, and in the right foreground a mask of the same 
color is thrown on the floor. 


Signed at the lower left, F. H. KArEMMERER. 
Height, 16 inches; width, 101% inches. 


No. 146 


PAUL LOUIS GROLLERON 


FRENCH 
1848—1901 


THE SKIRMISH Jt OL By LO iv 


| A Frew French infantrymen, accompanied by a bugler and com- 
zx LY ~~ manded by an officer, are skirmishing along under a high wall. 
i Those on the left have found the enemy and are actively firing. 
One soldier lies dead, another has received a staggering wound, 
and the officer, perched on a ladder, is looking over the wall. 


Signed at the lower left, P. GRroLLERon. 
Height, 13 inches; length, 16 inches. 


No. 147 


JOSEPH MORTIMER LICHTENAUER 


, Vamertcan 
re “t 1876— 


scene Yio , 


A LIFE-sIzE study of the head and shoulders of a fair-haired 
a. 4, Ekoncs young girl, seen in profile to the right. Around her shoulders 
is a green mantle knotted in front. The background is a simple 


tone of light gray. 


p lien 
: PA ae 


Signed at the upper right, LicHTENAUER. 
Height, 17144, inches; width, 14 inches. 


No. 148 


AUGUSTE TOULMOUCHE " 


FRENCH 
1829—1890 


LOVE’S T ‘ lips 
OKEN ai ee yoy: 


A sMALL decorated vase, filled with white lilacs, stands on a table yy, fe Db i 


in the foreground, and over it bends a dark-haired young maiden 
dressed in a robe of red velvet trimmed with gray fur. The 
background is a panelled room with gilt decoration, and behind 


_ the figure is a bronze bust on a square pedestal. 


Signed at the lower right, A. Toutmovucue, ’67. 
Height, 19 inches; width, 15 inches. 


No. 149 


ANTOINE VOLLON \ F 


FRENCH 
1833—1900 


STILL LIFE vi eee oe eae (Fr 


A coupe salver filled with apricots, a porcelain bowl orna- 
mented with green, a mandolin, a gold ewer and drinking cup, 
with a few roses and other objects, are assembled on a green- 
fringed cloth spread upon a buhl table. In the background is 
the suggestion of a panelled room and a rich, heavy red curtain. 


Signed at the lower left, A. VoLton. 
Height, 1214 inches; length, 16 inches. 


(‘a 


No. 150 


ANTONIO CASANOVA Y ESTORACH 
SPANISH 


THE GOURMAND 
| ga SV A RroTuND and jovial Franciscan monk is enjoying hugely a 


plate of field strawberries, and, about to raise a spoonful to 


pe his lips, is smiling in anticipation of the feast. The head is 
4 nearly life-size and is in strong light from the upper left. 


Signed at the upper left, ANToN!© Casanova y Estoracu, Paris, 1888. 
Height, 161, inches; width, 121% inches. 


| No. 151 


JEAN LEON GEROME 


FRENCH 
1824—1904 fm 


ie f£ % 
rit Ree 


ve 2h — THE CARAVAN ee ik | 
pe the foreground is an Arab, in a white burnous, mounted on 
| a donkey accompanied by a foal. He is proceeding briskly along 
A the sandy shore of a bay which extends partly across the pic- 

/ a ture from the right to the left. Following the Arab, at some 
| yyw" distance away, is a large herd of goats under the care of a 
at goatherd, and still farther behind a long caravan of many cam- 
els, some with riders and some without. In the distance a range 

of rocky summits, with arid foothills, rises against the simple 


blue sky. 


Signed at the lower left, J. L. Girome. 
Height, 10%, inches; length, 14 inches. 


No. 152 


PAUL JEAN CLAYS 
BELGIAN 
1819—1900 


ALONG THE QUAY ee ee len 


Two large Dutch yawls, with colored sails, are drifting in a l 
es, LAO a 
light wind along near a populous quay of a large town, and i 
form the chief figure of the composition. In the foreground on 
the left of the vessels is a rowboat, with two figures, and be- 
yond, seen down the broad river or inlet, is a mass of shipping 
- extending to the distant horizon. 


2 SSS Se 


Smee 


ee 


EP BEES ee 
SSS 


Inscribed at the lower left, Vente P. J. Crays. i 
Height, 13 inches; length, 1414 inches. 


No. 153 


ALPHONSE MARIE DE NEUVILLE Leg 
FRENCH \/ 
1836—1885 
THE SENTINEL Babes: eis 


A HussaR, in silver trimmed képi and jacket, full red trousers 
with leather extensions, is standing in profile, his left hand on JO Cf aoe 
his hip above his sword guard, and his right hand by his side 
holding a cigarette. The head is in three-quarters view, the 
eyes turned toward the spectator, and the figure is in relief 
against a rough-plastered wall, suggesting the facade of a 
building. 
Signed at the lower right, A. bE NEvvILtE, 1878. 
Height, 12 inches; width, 8 inches. 


No. 154 


JEAN JACQUES HENNER 
/ FRENCH 
4 1829—1905 


00 — HEAD 


oe head of a young girl, about half life-size, with a mass 
f 


We loosely flowing auburn hair. The face is seen in profile to the 
. left, the head slightly lowered and the eyes raised. A fold of 
red drapery crosses the left shoulder. 


Bye Signed at the lower left, J. J. HENNER. 
Height, 1014 inches; width, 81% inches. 


| No. 155 


ANTONIO CASANOVA Y ESTORACH 
| | SPANISH 


as i A GOOD STORY 


He 60 —— A monk, who has been taking tea with a cardinal, is amusing 
4 ce host with a good story, which he whispers in his ear, con- 
cealing behind him at the moment his breviary, which he holds — 

toi?” in his left hand. The two heads are close together over a 
mahogany table, with ormolu mounts, on which is spread a rich. 


(l and delicate tea service. 


Signed at the upper right, ANTON 10 Casanova Y EsroracH, Paris, 1895. 
Height, 13 inches; length, 16 inches. 


No. 156 


JEHAN GEORGES VIBERT 
FRENCH “Re as 


A i 
A pr 3 
ti 
- | 


eee 


THE CARDINAL 


shee 


Tuts is a study of an old cardinal in red robes and biretta. NS y i 
His shoulders are in profile and his head in three-quarters view i 
to the left, his eyes turned toward the spectator. The expression i 
on his face denotes that he is listening to an agreeable story. i: 
, kite 
Signed at the lower left, J. G. Viserr. | 
Height, 104% inches; width, 8Y, inches. i, 
i 
i 
No. 157 i 

I. H. J. T. FANTIN-LATOUR 
FRENCH i 
18361905}. , 


4 
4} pr 


“CARNATIONS Aleck 


A BuNcH of carnations of a variety of colors stands in an or- dag Gf ashi | | 
dinary glass tumbler full of water. The flowers are in a strong ee ) 
but diffused light and are relieved against a mysterious gray 


background. 


Signed at the lower left, Fantin. 
Height, 1114 inches; width, 101, inches. 


No. 158 


JEAN JACQUES HENNER © 


FRENCH 
1829—1905 


ASLEEP 


A nuveE female figure is reclining in the foreground near a 
small oval-shaped pool. She lies on her left side and her back 
is turned toward the spectator. The flesh is in a strong effect 
of light and shade and the head and upper part of the body 
are relieved against the dark mass of a clump of trees beyond. 
In the upper right of the picture is an area of simple blue sky 
which is reflected in the pool below. 


Signed at the lower left, J. J. HENNER. ; 
Height, 81% inches; length, 1014 inches. 


No. 159 
JEAN JACQUES HENNER 


FRENCH 
1829—1905 


ANDROMEDA 


Tue nude figure of the unfortunate maiden is seen full length 
and in profile, her arms upraised, her head thrown back and 
her auburn. hair floating in the breeze. Her right leg is bent 
and she rests her weight on the left. The figure is in relief 
against the sombre mass of a lofty cliff, beyond which, on the 
right, is a suggestion of the sea. 


Signed at the lower right, J. J. HENNER. 
Height, 1314 inches; width, 8 inches. 


No. 160 


CHARLES FRANCOIS DAUBIGNY Ve 


FRENCH 
1817—1878 


A COUNTRY ROAD P. 8 00 wyrot . 


A BRoaD, well-travelled road leads from the foreground to the 3 Wi 0 i 
middle distance around and beneath a large clump of lofty 
trees in full summer foliage. On the left is a suggestion of a 
grassy bank with a fence surrounding a park or a garden. 


Signed at the lower right, Davusicny. | 
Height, 1014 inches; width, 8 inches. 


No. 161 


ANTOINE VOLLON 


FRENCH 
1833—1900 


STILL LIFE OE A or tfrwr 


Tk nap gece otras: \ 
A copper jug and a brass kettle are placed on an upturned ALLS oy 


tub. Nearby stands a green glazed jar, and in front of it is a 
plate with a long-handled ladle and four eggs. On the floor 
opposite the plate are onions and mussels scattered about. 


Signed at the lower right, A. VoLton. 
Height, 10 inches; length, 131 inches. 


No. 162 


ADOLF SCHREYER 


GERMAN 
1828—1899 


A MOORISH HORSEMAN 


A Moor, mounted on a brown pony, his gun slung across his 
back, is fording a rocky stream, and driving, at the same time 
4vith him, a white pack horse which is straggling along under 
a load. Across the stream is a bluff partly overgrown with 
bushes, and to the left a gently sloping tract of land leading 
off to the extreme distance. The sky is covered with gray clouds 
and the landscape is in full sunlight effect. | 


Signed at the lower right, 
Height, 1014 inches; length, 1314 inches. 


No. 163 


ADOLF SCHREYER 


GERMAN 
1828—1899 


q y ' rs 
Me th ¢ 1. 
ty as a ‘ ¢ 
Pan 
f 


In the foreground is a rough pony bearing a pack and ac- 
companied by a peasant dressed in coarse garments. Beyond the 
group is a rude stone hovel at the foot of a steep and rocky 
range of hills where other habitations are scattered over the 
slope. The sunlight falls upon the scene from the left and a 
few luminous clouds float in the upper part of the simple sky. 


ARABIAN HORSEMAN 


Signed at the lower right, & 
iil Height, 101% inches; length, 1314 inches. 


No. 164 


EMILE VAN MARCKE 


FRENCH Q Cw Pageed / 
1827—1890 Ue. mg 
\ Ae 
CATTLE ‘a 
Tuis is a study of two coys, the one on the right seen in full 


face, the other in three-quarters view from behind. They are 
in a diffused sunlight and in relief ae a grassy meadow 


| : A, 
beyond. Pe ae cy » 
- ipower? ee tng - 
Signed at the lower left, Em. VAN Marcxe. 
“ ' Height, 10 inches; length, 14 inches. 
ty, BEN, 9 I 


No. 165 


JEHAN GEORGES VIBERT 
FRENCH & 


i 
1840—1902 bi * 


,. ned a 
A NEW SUBJECT (etd C* A Lic Fh 


A CARDINAL, who is making a visit to the house of a wealthy 
friend, examines, while he is waiting, a wall decoration sugges- 
tive of an amorous incident in song or story. In front of the 
cardinal, who stands with his back to the spectator, holding his 
folded biretta in his hands, which are clasped behind him, is 
a low green sofa, on which the hat and lace mantle of a lady 
are carelessly thrown. 


Signed at the lower right, J. G. Visert. 


Height, 15 inches; width, 111% inches. 
From the Artist. 


No. 166 


MLLE. ROSA BONHEUR . 


FRENCH 
1822—1899 


ROAMING A Ld hum Mow Ie, ban 4 ie 


yy 00 —— <A youne buck wandering through the forest has My aie a mo- 


i ment, startled by some noise, and stands with head upraised 


i_, looking eagerly to the right. Near him is the rough trunk of 
4 wey g eagerly g g 


"a large tree and beyond him a scattered growth of trees and 


underbrush. 


| Signed at the lower left, Rosa Bonnevr, 1875. 
i Height, 14 inches; width, 101/ inches. 


No. 167 


J. G. MEYER VON BREMEN 
| GERMAN 
1813—1886 


i} 


THE FIRST LESSON 
“ 0 Si ~— A uirrLe girl, lying im her crib, is taking her first lesson in 


reading from her elder sister who, seated in an armchair beside 
her, holds a book in both hands and leans lovingly against the 


\\ yl little child. Over the group hangs a curtain of pale, striped 


blue, and light falls upon the little group from the upper left, 


| 
i 
| 


bringing the figures into relief against a shadowy background. 


Signed at the lower left, MEYER von Bremen, 1865. 
AH eight, 18 inches j; width, 15 inches. 


No. 168 


HIPPOLYTE CAMILLE DELPY ¥ 


FRENCH 


Contemporary 
LANDSCAPE (e Th: V, vor pues 


A quiet pool of water extends nearly across the picture, leav- 
ing a narrow strip of grassy bank in the foreground. On the 
farther shore a cow is drinking, watched by a peasant woman. 
Beyond them an irregular clump of trees rises high against the 
quiet evening sky. In the horizon, on the left, is a rounded hill- 
side against a simple evening sky, and on the right, beyond a 
clump of tall poplars, is the suggestion of a pleasant villa. 


Signed at the lower right, H. C. Dery. 
Height, 1114 inches; length, 21 inches. 


No. 169 


JULES DUPRE 
FRENCH 


1811—1889 1f r vi 
LANDSCAPE ie ie AS cetett- 


A sHALLOw pool extends across the foreground and on the right 
is bordered by a broad road which, passing between two groups 
of large cottages, winds away to the extreme distance, where 
a small lake, bordered by low hills, sparkles in the sunlight. 
Cows drink in the water, peasants gather near their doors, and 
a two-wheeled ox-cart crosses the sunlit road in front of the 
cottages. On the left a lofty clump of trees covers a large por- 
tion of the sky and is reflected in a deep shadow in the pool 
below. 


Signed at the lower left, Jures Dupre. 


Height, 11%, inches; length, 17%, inches. 


a ee 
SS oe ee 


eee 


SSS 


—— 


/) 
a 0 — 


No. 170 


JEAN CHARLES CAZIN 


FRENCH 
1840—1900 


yi 


A PROVINCIAL Town (kw © : 
| Ve UY UO — Tus is a study made in a moderate-sized town in France. A 
broad street extends across the foreground and leads between 
| two rows of houses to the cathedral, with its twin towers, beyond. 
fol” The street is partly covered by grass, and on the left a peasant 
yl woman, with her basket, is resting by the roadside under a 
wooden fence which surrounds a group of cottages. The hour 
of the day is near sunset and a warm glow envelops the land- — 
scape. 


Signed at the lower right, J. C. Cazin. 


Height, 111%, inches; length, 16 inches. 
From the Artist. 


No. 171 


NARCISSE VIRGILE DIAZ DE LA PENA 


FRENCH 
1809—1860 


| IN THE FOREST 
| y ; “L OU ——Tue motive for this picture is evidently taken from the forest 


of Fontainebleau, for it shows one of the characteristic glades 


i ‘ in this famous resort for artists. On either side of an opening, 
| fi through which a single figure of a peasant woman is walking, 
| 
| 
| 


is a dense growth of sturdy forest trees. The sun breaks through 
an opening in the foliage and strongly accentuates the ground, 


eh the tree trunks, and here and there the leafy branches. Through 
l 
| 


the foliage at the top of the picture is seen the sky, ea 
the presence of luminous summer clouds. 


Signed at the lower left, N. Dtaz, ’6 


Feo 151%, inches; length, 191% inches. se 
H| Fr om, Leroy & Co., Paris. ) Boma, wee 
Pari, VAL 2 5 


| 

i) A N We: | va he a 
| | poem Yan ee 7340! ‘ i 
We ae ed 


No. 172 


CONSTANT TROYON ve 
FRENCH ‘ | 


1810—1865 A A a 
LANDSCAPE AND CATTLE 
Aad WW. Seek fl 4, 


Four cows, driven by a peasant woman, are wading through a 
shallow stream in the foreground. Beyond them stands the 
peasant on a sunlit bit of road which winds about through a 
_wood where trees of various sizes and kinds grow thickly to- 
gether. On the right a range of mountains rises almost out of 
the picture, showing a narrow strip of sky above. i 


St ae OE SCO DOC Ree Sree 


Inscribed at the lower left, Vente Troyon. 


Signed at the lower right, C. a ve hs 
Height, 111, inches; length, 181/, inches. itt 


No. 173 


HIPPOLYTE CAMILLE DELPY 
FRENCH 


Contemporary 


LANDSCAPE ea Autrrzer, 


In the right foreground is a narrow strip of meadow bordering ep OC -——F 
a quiet river which flows from the left diagonally across and 
“sweeps around past a low point on which stands a large village, 
overshadowed here and there by lofty poplars. An irregular line 
of low hills forms the horizon, and the sky, which is nearly cov- 
ered with clouds, glows in the light of a summer sunset, the 
tones of which are reflected in the placid surface of the river. 


Signed at the lower right, H. C. Detry. 
Height, 13 inches; length, 231/, inches. 


No. 174 


HENRI HARPIGNIES 
FRENCH Pky 


1819— Ad ) 


A SUMMER’S DAY re y ne 


Two trees grow on the bank of a narrow ee which flows 
out of the foreground on the right, and underneath one of these 
trees a female figure is seated reading a book. On the other side 
of the stream are grassy fields, and still farther away a line of 
low hills on the horizon. The sky is a simple luminous tone, - 
broken here and there by suggestions of blue beyond. | 


Signed at the lower left, H./ Harpientes, 90. 


iS. | 
; Height, 15 inches; length, 22 inches. 
From Arnow & Tripp, Paris... 


»¥ 
ees K. %, 
: ns es Pa ee 
cease RRO, % q oe 


No. 175_ 


PAUL JEAN CLAYS 
‘, x: BELGIAN 


NN 1819—1900 
we 


Tosstne on the muddy waters of the North Sea, presumably 
near the mouth of the Scheldt, is a fleet of sailing vessels of 
various sizes and variety of rigs, the middle one, a barque with 
topsails, being apparently under tow. The sky 1 is covered with 
low drifting storm clouds. 


Inscribed at the lower left, Vente P. J. Crays. 
Height, 13 inches; length, 21 inches. 


No. 176 


EUGENE LOUIS GABRIEL ISABEY _ we 


FRENCH 


ig f 
1804-1886 y ee Ay 


BRINGING HOME THE WOUNDED ye y 


A wouNDED man has been brought to the porte cochére of a 
large mansion, and, reclining on a stretcher, is surrounded by a 
wailing group of friends and attentive nurses. On the right 
_ stands a lord and his lady and two mounted cavaliers. Above 
the group the facade and roofs of the mansion rise nearly out 
of the picture. 


Signed at the lower right, E. Isaney, °78. 
Height, 2134 inches; width, 1734, inches. 


No. 177 


ADRIAN DEMONT 


FRENCH 
1851— 


NIGHT GF. W/4 Fi Phas 


From the foreground a broad country road. leads up and over 
the crest of a hill. On either side are rude cottages roofed with 
red tiles, in one of which, just over the crest of the elevation, 
shines a warm light, evidently the goal toward which a fisher- 
man, bearing a laden basket on his shoulders, is turning his 
steps. The sky is covered with heavy rolling clouds, accentuated 
near the middle of the picture by a strong gleam of moonlight. 


Signed at the lower right, ApR1aN DEMONT. 


Height, 17 inches; length, 214% inches. 


/ 


\ 


(2/0 


No. 178 


BERNARDUS JOHANNES BLOMMERS 
DUTCH 


844— 
i lo. > 
il PEELING POTATOES : 
Loo = 


YW. fuller, Weer voor 


A Dutcu huysvrouw is seated near her kitchen fire engaged in 
peeling potatoes for the evening meal. Standing opposite her 
and resting one elbow on a low table is a small lad who is read- 
ing a paper while his mother works. | 


+ 


Signed at the lower right, BLrommeEnrs. 
Height, 1914 inches; width, 15 inches. 


No. 179 


FRITZ THAULOW 


NORWEGIAN 
184.7— 


THE RIPPLING BROOK 


A RIPPLING stream flows down to the foreground from a sunlit 
village in the middle distance, where fruit trees in blossom sur- 
round the cottages. In the middle distance, on the left, the ue . 
of a peasant is seen at work in his garden. 


Signed at the lower right, Frirz 'THavuLow. 
| Height, 18 inches; length, 2114 inches. 


No. 180 
JEAN F RANCOIS RAFFAELLI 


FRENCH 
1850— | ¢. 
AS \ 


\ 
AVENUE DE LA REPUBLIQUE Efeiig nts 


THE avenue is crowded with people. In the foreground a fruit 
woman pushes her cart, and beyond her is a mass of foot pas- 
sengers, cabs, laden omnibuses, and the confusion of a crowded 
Paris street. In the middle distance the mansards of a cross 
street, with the monument of the Republic, form a sky-line 
against a broad mass of simple gray clouds. 


Signed at the lower right, J. RaFraE ui. 
Height, 17144 inches; length, 20 inches. 


No. 181 


HIPPOLYTE CAMILLE DELPY 
FRENCH 


Contemporary 


THE HILLSIDE LA. Kale ; 


From the right foreground, a steep hillside, partly cultivated 
and partly waste, extends away to the distance, and on the left 
is a shallow pond, on the opposite shore of which stands a red- 

roofed residence surrounded by tall trees. Here and there a few 
figures enliven the landscape. A boat with a single occupant 
is floating on the water and a large skiff is drawn up under the 
steep bank on the edge of the pond. Small clouds, touched by 
the glow of sunset, are scattered over the sky. 


Signed at the lower right, H. C. DExpy. 
Height, 121, inches; length, 2314 inches. 


2fo- 


No. 182 


GABRIEL MAX 
AUSTRIAN | 


1840— 
THE ARTIST As eye Sh eLbew? 


__.__Tuis is a life-size head of a fair-haired maiden. Her right hand 
supporting her chin, she inclines her head slightly to one side 
and raises her eyes with a devout expression. Part of a palette 
held in her left hand and three brushes are seen at the lower 
part of the picture, which is surrounded by a painted oval. 
She wears a light wine-colored mantle around her shoulders and — 
she is crowned with a chaplet of laurel leaves. : 


Signed at the upper right, G. Max. 
Height, 201% inches; width, 16 inches. — 


No. 183 


PAUL JEAN CLAYS 
BELGIAN 


1819—1900 


MORNING EFFECT ON THE HOLLAND COAST | 


oe 


A croup of three bluff-bowed Dutch boats, with colored sails, 
form the chief feature ofthe composition, their hulls and rig- 
ging reflected in the calm waters of the broad river. In the 
foreground are two rowboats, one on either side, and on the 
left, in the distance, are seen a lighthouse on a low point of land 
and various vessels moored near the shore. The low horizon is 
lost in the glowing mist which hangs over the water and the 
sky is covered with a thin veil of light clouds. 


| Signed at the lower right, P. J. Crays. 
i Height, 1614 inches; length, 2414 inches. 


No. 184 


P. A. J. DAGNAN-BOUVERET 
FRENCH 


Contemporary 


meee Dh Wes te Gc) LLSO 


Tuis is a life-size head of a young girl, apparently a study 
for a decoration, the left hand holding a paint-brush, which is 
held above her head, and the face is turned toward the upper 
right, the eyes looking in the same direction. A chaplet of 
leaves partly hides the hair. 


a 
Se eee eee See . 


a 


BIE eee, 
Se ee 


Signed at the lower left, P. A. J. DacGNan-Bovuverer. 
| Height, 15 inches; length, 20 inches. 


SSS Sa 


No. 185 | ] 


BERNARDUS JOHANNES BLOMMERS ie 
DUTCH y | 


To 
1844— Sid ae ‘es : 


ey % 
ey a Pa 
Nes pe , 
Hee + 


MENDING FISHING NETS | 
Pra Ke Ct 

In a large stable half a dozen or more Dutch women are seated WA O00 ‘atl 
- engaged in mending fishing nets. They are dressed in curious f 

Zeeland costumes, with close-fitting caps, short-sleeved jackets 

and full petticoats. The light from an open door shines upon 

the group from the left, accentuating here and there the flesh 

and the draperies. 


Signed at the lower right, BuomMers. 
Height, 20 inches; length, 26 inches. 


No. 186 


FELIX ZIEM 
FRENCH 


Vd. Soy ys ar, 1821— 


SUNSET IN VENICE 


———— 


Tatu facades bordering a broad Venetian canal rise on either 
side of the picture, the row on the right dominated by a lofty 
tower. The sun is low in the heavens and the warm glow from 
the sunset sky spreads over the palaces on the right, casting — 
those on the left into deep but luminous shadow. Various craft © 
are moored to the quays on either side, and a gondola, with a 
single gondolier, is crossing the canal in the foreground. 


Signed at the lower right, ZiEm. mika 
Height, 271/, inches; width, 211% inches. 


No. 187 ta 


JEHAN GEORGES VIBERT 


FRENCH 
1840—1902 


THE BOOKWORM WW fublec’ 44000 


A carpinaL in full red robes, carrying a gold-headed stick, 
stands near an ornate carved and gilded lectern in a rich 
library, daintily turning the leaves of a book which rests upon i 
a wrought-iron support. Behind the cardinal, on the right, is i 
-a figured velvet screen partly concealing a tapestried curtain. 


\ 


| 
November 17, 1898. 

Mr. Allard has told me that you would like to have a letter explanatory 
of a picture which I have lately finished, and of which you have acquired 
the ownership. 

I hasten to respond to your desire. It will be for me a means of thanking 
you for the honor you do me in condescending to interest yourself in my 
work. 

The picture in question represents the corner of a picturesque library, 
which does not shine by reason of any elegance, since its sole ornaments are 
sombre hangings and old furniture of another period; but upon the shelves 
where the books are arranged, are hidden many treasures. 

Behold, well in evidence, supported by the pulpit of an old lectern, the 
most precious treasure of all, an old Dutch bible, in its primitive binding, He 
not intact, but at least respectable. It is the latest “find,” the rarest piece | 
of all, long coveted, haggled over as to price, finally captured and placed 
in the sanctuary. 

In the absence of the master of the house, a friendly visitor has been 
introduced. He is a Cardinal who himself would seem to be most appre- 
ciative of the marvels of the printers’ art, for before taking off his mantle, 
without even taking the time to put down his stick and hat, he has thrown 
himself upon the old treasure, and is now slowly turning over the leaves. 

The point which I have striven to bring out in this painting is the physiog- 

_ nomy of a bibliophile, at gaze before a rare book. There are many passions 
in those heads, love or envy; but also that nobility which is always given by 
erudition joined to taste for art. 

There, sir, is the explanation of my character sketch. Besides, since you 
are yourself an amateur, you must know better than anybody else what he 
is thinking. 

Receive, sir, the assurance of my most perfect consideration. 

J. G. VIBeERT. 
Signed at the lower right, J. G. Vipert. 
Height, 16 inches; width, 121%, inches. 
From the Artist. 


No. 188 


FERDINAND ROYBET 
FRENCH 
1840— 


THE SENTINEL 


A TALL, youthful cavalier, in the costume of Louis Quatorze, 
with thigh boots, figured damask doublet, silk breeches and 
cloak, stands near the entrance of a palace or other public 
building, his sword held in his right hand, over his right shoul- 
der, and his head turned toward the hilt. The figure, strongly 
lighted from the upper left, is relieved against a dark back- 
ground of masonry. On the right are the lower steps of a stair- 
case. ck 


Signed at the lower left, F. Royser. , eS 
Height, 24 inches; width, 1414 inches. 


No. 189 


CONSTANT TROYON 


FRENCH be wv a 
1810—1865 e 
& : 
Lew grein 


a ae 


—RETURNING HOME 


¢4 LARGE flock of sheep is assembled in the eat and be- 
hind stands a peasant with his shepherd dog, followed by a 
donkey with two panniers and a peasant woman rider. The 
group is in strong effect of sunlight, diminishing in intensity 
from the foremost animal to the group beyond. On the left is 
the edge of a forest with trees in full foliage, and beyond, on 
the right, a clump of rounded trees in the middle distance. The — 
sky is covered with summer clouds, showing here and there 
| tiny spots of blue. 


| Signed at the lower left, C. T. 
hesitags, 


Height, 25 inches; width, 201, inches. 


No. 190 


LOUIS EUGENE BOUDIN ° 

FRENCH 3 , ; 

1824—1898 ) i 

LA FALAISE DE BENERVILLE f 


On the left a rocky promontory slopes down to the sea, where J i) by, f a | 
a jagged rocky point extends far out into the water. The quiet ~’ 4 
glassy bay is dotted here and there with fishing vessels, and, 


reflecting the tones of the sunset sky, extends away to the ex- | 


treme distance, where the horizon is lost in a glowing mist. i 
Beyond the promontory, which is crowned with large buildings 


surrounded by trees, is seen a low hill across the water in the ‘ 
ih 


distance. . 


: Signed at the lower left, E. Bounin, 97, 19/9 BENERVILLE. 
Height, 211, inches; length, 351, inches. 


\ 


No. 191 
JEAN BAPTISTE CAMILLE COROT Pos Js 
FRENCH , hn ny 
1796—1875 | los € va ae 
CATCHING CRAWFISH ys yt aOR ot 


Tuis is a forest interior where slender trees erow closely to- i 
gether and the ground is covered with tangled undergrowth. Ne, VA, 0 O_ 
In the right foreground a narrow brook flows out of the pic- 
ture and the figure of a man with bare arms and legs is kneeling 
on a rock, apparently catching crawfish in the water. Beyond 
the figure, and in the extreme distance, is visible a tiny spot of 
luminous sky seen between the tree trunks, and over the red roof 
of a small cottage in the upper part of the picture tiny spots 
of delicate blue show through the foliage. 


Signed at the lower left, Conor. 
Height, 251, inches; width, 19% inches. 


From the Davin H. Kine, Jr., Sale, 1896. o 


f 2100 


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No. 192 


ANTOINE VOLLON 


FRENCH 
1833—1900 


2 4g -— THE DOCKS 


Tuts is the study of the quay in a French seaport town, with 
large buildings on the left and a narrow harbor on the right, 


u i am and a suggestion of many craft moored near the quay. Masses 


of light clouds float high in the heavens, here and there touched 
by the sunlight. 


Signed at the lower right, A. Votton. 
Height, 3314 inches; width, By, , inches. 


No. 193 


JEAN BAPTISTE CAMILLE COROT 
FRENCH 
1796—1875 


NYMPHS BATHIN 
0 G 


A LARGE group of trees in full foliage rises against a glowing 
sky on the left and is reflected in a large pool of water which 
extends across the picture. In the foreground three nymphs 


Y are seen near the water’s edge, one of them about to enter, 


and the others engaged in preparing for the bath. On the right 
is a slender birch tree with feathery foliage, and beyond, and 
across the pool, is a distant rugged hillside seen against the 
sunset sky. 


Signed at the lower left, Conor. 


30 inches. 


4S dD? 


Height, 391, inches; widt 
From the Mary J. Morean Collection, 1886, tones No. 56. 


hae 


4" 


no 


No. 194 


'HIPPOLYTE CAMILLE DELPY 


FRENCH =A ee tt 


Contemporary 


LANDSCAPE s PlaS ‘) 


A BRoap river extends across the foreground and is crossed by 
a series of rough frame-works with fishing traps and nets. On 
the right a large clump of trees grows on a low bank, the dark 
mass of foliage reflected in the water, and on the left, across 
the river, is a pleasant farming country, with a moderate-sized 
hill extending away in perspective to the distance. The sky is 
partly covered by storm clouds and the light is concentrated 
near the horizon. | 


Signed at the lower left, H. C. Detry. 
Height, 38 inches; length, 53 inches. 


No. 195 


CHARLES EMILE JACQUE 
FRENCH 


JL 


1813—1894 \/ 


WATERING THE FLOCK a i ae 


In the right foreground is a shallow pool at the foot of an 
irregular grassy slope where willows and other trees grow. A 
flock of sheep, attended by a small boy and a black shepherd 
dog, has left the pasture and crowds at the water’s edge to 
drink. The sun shines strongly from the upper left, throwing 
a shadow on the boy and partly across the flock. 


Signed at the lower left, Cu. Jacque. 
wr” Height, 32 inches; length, 44 inches. 


n \ Nypske> wos: 7 wee! 1. 


S200 


No. 196 | 


HENDRIK VALKENBURG 


DUTCH 
1826—1896 


UA Durcu peasant has sought his comfortable cottage home 


i y, 5 ie AT HOME 
| : \pafter the labor of the day, and, smoking his pipe, is seated 
Wag near a small table close by the single window: of the room. Op- 
posite, the good vrouw is engaged in grinding coffee for her 
husband’s supper. The group is lighted by a square window in 
the middle of the picture, through which is seen a garden with 


the red roof of a cottage beyond. 


Signed at the lower left, H. VALKENBURG, 84. 
Height, 3614 inches; length, 45 inches. 


M4 


No. 197 


GEORGES HAQUETTE 
FRENCH 


Contemporary 


LAUNCHING THE BOAT 


In the foreground a group of sturdy fisher folk, four men, two 
women and a small boy, are laboring to launch their heavy row- 
van through the surf into the deeper water. An old fisherman ~ 


pushes vigorously with an oar, and the small boy tugs at a rope 


is a line of lofty headlands, and beyond the group a tossing 
sea is dotted with fishing craft. The sky is covered with low, 


\ of in the bow, while the others lift at the gunwales. On the left 


drifting rain clouds. 


Signed at the lower left, G. Haquerre. 
Height, 331, inches; length, 47 inches. 


REMARKABLE ART FANS 


Tus unique and remarkable collection of the work of celebrated artists was 
started by Mr. Alexander Blumenstiel in 1894, and, after tireless energy, 
completed in ten years. Each blade is painted by a distinguished artist and 
is a complete picture in itself, carefully carried out by the artist and 
strikingly individual in its subject and treatment. 

The five fans embrace a complete representation of the work of all the 
modern foreign and American schools. This work can never again be 
duplicated. Many of the artists have died—among them, Cazin, Henner, 
Benjamin Constant, Géréme, Jacob Maris, Boudin, Vibert, Mesdag, Minor, 
Vollon—and certainly none of the others would ever accept a similar com- 
mission to paint on such a restricted space constituting a work so difficult. 

The mountings were designed and executed by Tiffany & Co. Sugges- 
tions with respect to the mountings were made by Monsieur Madrazo. 


No. 198 ‘ , 
ART FAN Geo ‘ 


In semicircle, “ Cardinal Fishing,” by J. G. Vibert. 

_ On blades. Paintings by J. C. Cazin, J. J. Henner, J. B. Robie, 
Josef Israels, Franz Defregger, Martin Rico, Jules Lefebvre, 
Ludwig Knaus, Salinas, F. Cederstrém, R. de Madrazo, Fran- 
-cois Flameng, A. E. Hébert, Ed. Griitzner, Théobald Chartran, 
Ferdinand Roybet, Henri Harpignies, Benjamin Constant, Marie 
Dieterle, L. Alma-Tadema, J. L. Géréme. 


ART FAN 
In semicircle, “* Prometheus Bound,” by Jean Paul Laurens. 

On blades. Paintings by A. Marais, H. C. Delpy, Carleton Wig- 
gins, Leonard Ochtman, G. Jacquet, E. Aman-Jean, W. M. 
Chase, H. Rondel, José Frappa, Irving R. Wiles, Conrad Kiesel, 
Luc Olivier Merson, Gustave Courtois, G. de Sievolla, J. So- 
rolla, J. G. Blanche, H. Lerolle, G. Guignard, Frederick W. 
Kost, G. Boldini, William H. Howe. 


Wil 
HH 
Hitt 

Hi 

Ha 

Hh} 
Wan 
Witte} 
| 


No. 200 


In semicircle, classical figure by E. H. Blashfield. 

On blades. Paintings by Fritz Thaulow, J. Francis Murphy, 
George H. Bogert, J. Carroll Beckwith, H. W. Ranger, Albert 
Lynch, H. W. B. Davis, H. Siddons Mowbray, J. G. Brown, 
EK. Débat-Ponsan, Francis B. Carpenter, Henri Gervex, Toby 
Rosenthal, G. F. B. Church, Hubert Herkomer, P. Carriére- 
Belleuse, Francis Tattegrain, Paul Meyerheim, L. Paul Dessar, 
B. W. Leader, Robert C. Minor. 


No. 201 


In semicircle, “‘ Scene from ‘ Manon Lescaut,’ ”? Maurice Leloir. 
On blades. Paintings by Jacob Maris, E. Boudin, A. Seitz, C. 
Detti, Virginie Démont-Breton, C. Munier, Jules Worms, Ga- 
briel Max, Antoine Vollon, Antonio Casanova y Estorach, Fred- 
erick A. Bridgman, J. G. Vibert, Joseph Bail, Tony Robert- 
Fleury, Alfred Kowalski, R. de Cuvellon, Louise mare 
Hendrik Mesdag, Luigi Loir. 


No.. 202 


ART FAN GL Hesston 


In semicircle, “‘ Children Gathering Flowers,” by Ludwig Knaus. | 
On blades. Paintings by Carolus Duran, Fantin-Latour, Jean 
Béraud, P. J. Clays, H. Kaulbach, P. Bourgaine, José Gallegos, 
F. H. Kaemmerer, E. Berne-Bellecour, D. Ridgway Knight, J. 
Benlliure, Madeleine Lemaire, Anton von Werner, Léon Per- 
rault, Henry Mosler, V. Chevilliard, Buchbinder, José Domingo, 
Julien Dupré, L. Kugéne Lambert, Félix Ziem. 


No. 203 


CHARLES FRANCOIS DAUBIGNY - 
FRENCH 
1817—1878 


é Liss 
LE PARC DES MOUTONS Fe 

A SHEPHERD with two black dogs is driving a large flock of 
sheep out of an enclosure through a gate into the broad pas- 
tures beyond. On the left, in the middle distance, is a large cop- 
pice with a single building overshadowed by the trees, and on 
the right, low in the heavens, the full round disk of the harvest 
moon is shining, casting a ruddy reflection on the plain below. 
Through the thin mist which covers the sky a few stars shine 
here and there. 


This picture and the following one, “Early Morning,” were purchased at the 
sale of the effects of the widow of the artist after her death. Mr. D. W. 
Tryon, the well-known landscape painter, a few weeks before Daubigny’s 
death, which occurred on February 19, 1878, visited his studio and saw these 
two large pictures on the easels. Mr. Tryon in speaking of his visit says: 
* Both were noble examples of his work and made a deep impression upon 
me. I told him they seemed an advance over all his previous pictures. He 
seemed much pleased and said he hoped as much, adding, ‘They are for 
my family.’ I asked if they were not for sale, and he replied: ‘They are 


both too large and too bold to find a purchaser; all my best work remains. 


with me and are pour la famille, ” 


Stamped at the lower left, C. D. 
Height, 67 inches; length, 120 inches. 


J. foo 


No. 204 


CHARLES HARRY EATON 
AMERICAN 


B opperhans. 


THE SHIAWASSEE RIVER 


A sBroap, placid river, in which grow water-lilies and river 
plants in abundance, sweeps from the foreground around to the 
left and then to the right until it disappears behind a low point 
crowned with large trees. An irregular rank of rounded trees 
forms the horizon, and across a low meadow a small area of 
luminous sky is visible. From this point to the zenith rises a 
bank of gray clouds. 


Signed at the lower right, C. Harry Karon. : 
Height, 28 inches; length, 421 inches. 


No. 205 


CHARLES FRANCOIS DAUBIGNY 


FRENCH 
1817—1878 


EARLY MORNING Os. Ei Cr hen 


A PEASANT man and woman, carrying rude haymaking im- 
plements, are walking along a sandy road which leads from 
the right foreground down a gentle declivity to a broad, richly 
cultivated plain where a stream meanders around between the 
coppices and meadows, and the spire of a church rises against 
the horizon in the distance. In the left foreground is a large 
heap of manure near a thatched farm building which rises 
out of the picture, and here a number of fowl are seeking their 
morning meal. A gamecock, joyful at the coming of the dawn, 
stands crowing lustily on the summit of the heap. The sky is 
covered with fleecy clouds, the light concentrated near the 
horizon, where the dawn is breaking, and the morning star 
shines high in the heavens at the upper left of the compo- 
sition. 


Stamped at the lower left, C. D. 


Height, 58 inches; length, 94 inches. 


No. 206 


EVERT J. VAN BOKS 
BELGIAN 
1838— 


CORPUS DELICTI Solrcesr1 (oo 


Tuts is a little comedy in a bourgeois household. An indignant 

old gentleman and his wife have discovered in the drawing-room 

the képi of a French soldier, and have summoned the servants 

to explain the mystery. The cook, the housemaid, the butler 
and the nurse are equally indignant and express by various atti- 

tudes and gestures their refutation of the charge. 


Signed at the lower right, E. J. Boxs, ANTWERPEN, 1878. 
Height, 3014 inches; length, 441/, inches. 


No. 207 é 
CARL MARR vs 
AMERICAN 
1858— 


PEACE AND WAR ( ee. Aause y) 


A MEDIAEVAL shepherd taking his ease in the shadow of a small 
boulder on a grassy slope, surrounded by his flock and at- 
tended by his faithful shepherd dog, is startled by the tramp 
of a horse, and, looking up, sees a knight in full armor mounted 
upon a sturdy white charger proceeding, lance in hand, along 
the crest of the hill. Beyond the knight on the left a distant 
line of hills forms the horizon. The sky is covered with an almost 
unbroken mass of luminous clouds. 


Signed at the lower right, Cant Marr, MuncHEN, ’86. 


Height, 411, inches; length, 66 inches. 


AMERICAN ART ASSOCIATION, 


MANAGERS. 


THOMAS E. KIRBY, 
AUCTIONEER. 


ARTISTS REPRESENTED AND THEIR 


WORKS 


, 


ADAN, Louis Emits, 
The Sly Butler 


ARNTZENIUS, H. P., 


Street Scene 


BERAUD, Jean, 
Rue de la Paix 


BENRE-BELLECOUR, E., 
Soldier with Flowers 


BLOMMERS, Bernarpus Jonannes, 


Industry 
Peeling Potatoes 


Mending Fishing Nets 


BOKS, Everr J. van, 


Corpus Delicti 


CATALOGUE 
NUMBERS 


18 


16 


76 


32 


206 


BONHEUR, Mute. Rosa, 
Cattle 
Sketches 
Sketches | 
A Black Sheep 
The Horse 
The Horse Fair 
Drawing 
The Quarry 


Roaming 


BOUDIN, Lovis EvceEne, 
At Villerville 
Sea and Sky 
A Breton Interior 
Landscape 
In the Harbor 
On the Shore 
Sketches 
Dordrecht 
Sunset 
After the Storm 
Brittany Interior 


La Falaise de Bénerville 


BOUGUEREAU, Wititam ApDoLPHE 
Female Figure | 


BRETON, Jutes Apo.pHr, 


Returning Home 


(114 
115 
118 
119° 
140 
190 


112 


66 


CATALOGURB 


; NUMBERS 
CASANOVA Y ESTORACH, Anronto, 
Head 2) 
The Test 33 
The Musician Cardinal 62 
Testing the Wine 70 
Testing the Wine | 124 
Two Monks and a Cardinal | Le 
The Cardinal and the Monk 132 
The Gourmand , 150 
A Good Story | 155 
CAZIN, Jean CHARLES, 
The Brook 81 
Brittany Landscape 135 
Landscape | 137 
A Provincial Town 170 
CHASE, Wituam M., N.A., 
Carmencita 104 
CLAYS, Paut JEAN, 
Calm near Rotterdam 52 
Marine | 60 
A Dutch Fishing Boat 71 
Boats Leaving Ostend 144 
Along the Quay | ; 152 
Marine | 175 
Morning Effect on the Holland Coast 183 


COOMANS, Josepu, 
Fishing 82 


ne ee 


COROT, JEAN Baptiste Camere 


Catching Crawfish 
Nymphs Bathing 


COULAND, M. 
The Barnyard 


COURBET, Gustave, 


A Swiss Scene 
The Surf 


DAGNAN-BOUVERET, P. A. J., 
Head 


DAUBIGNY, Cuarirs Francois, 


A Country Road 
Le Parc des Moutons 
Early Morning 


DE BOCK, Tueornit H., 
Landscape 


DEFREGGER, Franz von, 
Head 


DELPY, Hirrotyte CamiLie, 


Landscape 

The Backwater 
Landscape 
Landscape 

The Hillside 
Landscape 


Q4, 


48 
92 


184 


160 
203 


205 


143 


13 


38 
40 
168 


173 


181 
194 


CATALOGUE 
' NUMBERS 


DEMONT, Anprian, 
Night . 177 


DE PENNE, Cuarwes OLtivirr, 
The Meet 123 


DETTI, Cesare, 
A Water Excursion 51 


DIAZ DE LA PENA, Narcisse Virei.e, 


Flowers 68 
Landscape 120 
In the Forest : , 171 


DIETERLE, Marr, 
Landscape and Cattle 88 


DOMINGO, Jose, 
The Cabaret 61 


DUPRE, Jvtien, 
Harvest if 95 


DUPRE, Jutes, 
Landscape 169 


EATON, Cuarues Harry, 
The Shiawassee River 204 


ECHTLER, Avpotr, 
The Repentant Sinner AY 


ESBENS, E., 
At the Palace Gate 
The Palace Guard 


FANTIN-LATOOR, I. H. J. T., 
Figure 


Carnations 


FLAMENG, Francois, 


Information 


FORTUNY, Marrano, 
Courtyard of House in Madrid 


FRERE, Enpovarp, 
Mother and Child | 


GABRIEL, F., 
Landscape 


GEROME, Jean Lron, 
Drawing in Red Chalk 
The Sentinel 
The Sentinel at the Sultan’s Tomb 


The Caravan 


GROLLERON, Pavt Louis, 
The Skirmish 


HAGBORG, AvcusTE, 


Home from Harvest 


HAQUETTE, Georces, 
Launching the Boat 


HARPIGNIES, Henri, 

} Springtime | 

A Summer’s Day 
HART, James M., N.A., 


Summer 


HEILBUTH, Ferprinanp, 


Summer 


HENNER, Jean JaceueEs, 


Head 

A Head 
Midsummer 
Head 
Asleep 


Andromeda 


INNESS, Georce, N.A., 
The Last of the Mohicans 


ISABEY, Evcene Lovis Gapriet, 
After the Storm 


Marine 


Bringing Home the Wounded 


ISRAELS, Isaac, 


Street Scene 


CATALOGUE 
NUMBERS 


197 


98 | 


o4 


176 


CSS RR a ma RICO 
— m aN SS 


ISRAELS, Josreru, 


Pencil Drawing 


JACQUE, Cuartzes Emize, 
Idyl 
Hens 
Poultry 
Watering the Flock 


JACQUET, Gustave JEan, 


Meditation 
Head 


JETTEL, Evcens, 


Returning 


JONGKIND, Joun Bartuoup 
A Dutch Canal 


KAEMMERER, Freperix HeEnprix 
. Fishing : 
After the Ball 


KOEKKOEK, Barenp Cornet tis, 
Skating Scene 


KOST, Freprerick W., A.N.A., 
Night 


KRAY, Proressorn WILHELM, 
Psyche 


84 
116 


90 
145 


39 
87 


105 


LAMBERT, Lovis EvcEene 
o Cat and Kittens 


LEFEBVRE, Jutes Josrepu, 
The Fruit Seller 


Pandora 


LELOIR, Lovis ALExanpRE, 
The Guitar Player 


LELOIR, Mavrice, 
The Harvest Festival 


LEROLLE, Henri 
A French Village 


LHERMITTE, Leon Aveustiy, 
The Pond 


LICHTENAUER, Joserx Morrmer 
Head 


LOIR, Lwutie1, 


Paris Street Scene 


LYNCH, Avwsert, 
A Drawing-room Entertainment 


An Evening Call 


MARIS, Jacos, 
On the Zuyder Zee 


CATALOGUE 
NUMBERS 


49 


102 
107 


121 


106 


94 


80 


59 


13 
15 


136 


 caTALO@uE : 
MARR, Cart, 


NUMBERS 


Peace and War | unt 207 
MAX, GasricL, 
The Artist 


182 
MENZEL, Apowpx, | 


Sketches | 1 
Three Heads 


MEYER VON BREMEN, 
The First Lesson 


167 
MILLET, Jean Francois, 


Wrestlers 


108 
A French Villa | 109 
La Manche 


MOSLER, Henry, A.N.A., 
Returning Home 


) 86 
The Faggot Gatherer 


NEUVILLE, Atrpnonse Marie pe, 


Marching across the Desert 3 
The Sentinel 


OCHTMAN, Leonarp, 


Landscape 


PASINI, Axserro, 


Market Scene at Constantinople 


83 


PASSINI, Lupwie, 
Head 


-PERRAULT, Leon Bazite, 


Maternal Affection 
The Grape Gatherer 


PIOT, Ertenne AporpuHe, 
Head 


POKITONOW, Ivan, 
The Gardeners 


RAFFAELLI, Jean Francois, 


After a Walk 
Avenue de la République 


REYNOLDS, Sir Josuva, 
Head 


RICO, Martin, 
A Bridge at Venice 


Rio Santa Marina 


ROBIE, Jean Baptiste, 
Roses 


Flowers 


ROUSSEAU, TuxHeopore, 


Sunset 


CATALOGUE 
NUMBERS 


122 


99 
100 


36 


31 


37 
180 


46 


67 


ROYBET, Ferpranp, ‘ 

The Sentinel | 188 
SCHREYER, Apotr, 

The Desert 64 

A Moorish Horseman . 162 

Arabian Horseman ; 163 
SIMON, L., 

Landscape ; ie 
SIMONS, P. Marctivs, 

The City of Ophir 1038 
SWAN, Joun M., A.R.A., 

Lioness and Foxhound — | 19 
TAMBURINI, Awnronto, 

Threading the Needle 20 
TEN KATE, M., 

Children at Play 26 
THAULOW, Fairz, 

Green-houses — 4S 

The Brook 53 

The Rippling Brook . 179 


THOREN, Orro pkg, 
Returning from Harvest 96 


TOULMOUCHE, Avcuste, 


Love’s Token 


TROYON, Constant, 
Landscape and Cattle 


Returning Home 


VALKENBURG, HEnprix, 
At Home 


VAN MARCKE, Ente, 


Landscape and Cattle 
Cattle 


VARIOUS, 
Art Fan 
Art Fan 
Art Fan 
Art Fan 
Art Fan 


VIBERT, JenHan GEORGES, 
The Artist Cardinal 
The Cardinal 
A New Subject 
The Bookworm 


VOLLON, Anrorne, 


Flowers and Fruit 
‘Still Life 

Still Life 

The Docks 


CATALOGUE 
NUMBERS 


148 


172 
189 


196 


56 
164 


198 
199 
200 
| 201 
202 


139 
156 
165 
187 


42 
149 
161 
192 


WIGGINS, Carterton, N.A., 
The After Glow 


WILSON, RicwHarp, 
English Landscape 


WORMS, Jvtes, 


Le Pourboire 
The Spanish Fortune Teller 
A Dios 


WUNNENBERG, Cart, 
‘The Peace Offering 


ZIEM, Fe tix, 
Constantinople 
The Grand Canal 
Venice 
Night on the Lagoon | 


Sunset in Venice 


4A 


45 
89 


93 


AM 
18 
129 
131 
186 


“148 


Oe ee eee ee 


ee 


|"BLUMENSTIEL PICTURE SALE. 


505 Paid for 168 of the Collection 
of Disposed of Last Night. 
_ At the first of two evening auctions for 
disposal cnn late Alexander Rlumen-_ 
stiel’s pict lection, which was held 
evening i endelssohn Hall, 108 paint- 
ings, drawings, &c., were»sold for $50,505. 
One hundred canvasses remain to be sold 
o-night. The highest se last evening 
was $3,600, paid for Marie Dieterle’s “Land- 
sca ype and Cattle” (No. 88). : 
The first seventeen catalogue lots were ede SCE eecrny s sacctes oeene ene nies 
pastels, aquarelles and pencil sketches. A 
Kae sketch by Menzel (No. 1) sold at $90, 
and two water color drawings by Albert 
ree sold one (13) at $205, and the other 
Oe ene wt» 
e whic ro 
‘more, with rartigts’ names re Pavan 
mMames as announced and prices were as 
follows: 
; URSA is eal the Needle,” Tamburint; R 
| nee tie i Rests es 


joudin; K. a 
| 92—"The Surf,” Courbet; Garinger. Peas ss 


rien Offering, Wunnenberg; L. H 


ee eee a 


f 91—“On the’ Shore) er 


Oe ee 


f 525 
| 95-—“Harv ast, ” Julien Dupré; W. W. Fuller. . 45075 
96“ Returning From Harvest,” de Thoren; 


ee ee ee ee rey 


« Levy 

| 97—"‘Last of the. Mohicans,” Ynness; Ham- 

TAHOE 5 2a cy LEE Ve ee is Ghat ee 325 
| 98——" Summer,” Hellbuth; J. Wasserman... 200 
keane Affection,” Perrault; T. F. vena 
ANID Pics ahi Lavaenonetaes ais wbsee baie 
Hoo—"Grape Ga herer,” Perrault; C. J. Carlton 550. 
eg ome. From Harvest,” Hagborg; W. J. ee 
102—" Fruit Seiler: re Shmons: 5 ¢ . Marshall. 425 
oma of oe bat ren an i + Ree 


‘A Diaz That Many Bidders Wanted Went at 

| $7,600 and’ a Corot Went at $7,700 

iA wee: _ —The Fans That it Took Ten Years to 

IS al Ane ane Rae aaa ‘ fhe Together: Sold to a Wine Agent, 
Puller : 


ele Min eRLaed Doth y Wie tein onc etace levee Wovere' 85 ; : The 1 ‘re: ye one hundred catalogue 
“Reinhardt...0100.. 250 ts Alexander Blumenstiel’s 
are sold by Thomas E. Kirby 


nit G ey 
at at Walk,” Raita 
= era Wa affae! poiet ger.. 
Dg vay ea Delpy: A. FU etal 
39—“Skating Scene,” ie odie Woers: fare 

| 40—“The Backwater,” Delpy; Dr, Cowan. 
abe he ibateoga Sinner,” La cars 


BOS eee ee se eer rece Sees aansee sreseene 


saa i raabites fae 
‘gr bras five fans. 


»'Thaulow: L. a ac ‘t , r *e Bue ae ane otea 
lish Landsca e,” Wils + eh cena 1G, Rieti 

| 43—“Le Pourbolre,” 21 Mae ee [ at $7, Soptt & Fowles ant a 
46—" Head,” Reynolds; Scott & Tow gy, na Rea 
| 47— Constantinople,” Ziem; eer pes ed Srer ie act 

| 43—“* Scene,” Courbet; F. A.C 
49—“Cat and Kittens,” Lambert; 

. ' §0—“Courtyard in Madrid,” F % 
51—“A Water Excursion,” Detti; E. 

p 52—“Calm igs gape Clays; 


| COD a jatar aeaaagies 


oe sticks, each. 
rent artist, Aud all 
frames or boxes. 

ly at $8,800, $6,200, 
ori a aor of $48; a 


on oy Carlto: psc es 
_§7—“Mother oi Child,” Frere; A Le A. 
| 58—‘In the Harbor,” Boudin; J ‘ 
ott Street Scene,” Loir; 
” Clays; H. Hamilt 
cs he The Cabance my Domingo; 
ae Musician ardinal,” B a 
Te RS oO a Pilger 300 
aes Horse ms Bonheur; M. L. ‘Sire... ARES a 
e Desert,” Schreyer; C. J. Carlton 
| G5—"Sentinel ie the Sultan’s Tomb,” Gétoine 


H. B.S 1, 
fe age er. 8 
nset,” 


ons, of low priced pictures. 
ra qa hse 


Be eee nels is ss 


ae ey 


Home,” Breton; A. 
ousseau,; D. B. berets 


tee eee a ee ee ® 


Ber fetes 
W. Wolff... 650° 0D Satie Miss Perkins 55 
ine,” Ca aa aN erearcen Saat |1J1-—-"Pen Lae wings,” Israels; A. G. Seligs- 


Sh 125 
Bee At ae e Figure re,” Bouguereau: ‘J. Ochme. 65 
Ter; BoPranitel: 0.65604 ee ny io udi 55 
74-“Meditation,” Jaoauet: W. E. Thorpe... 400: Feet t,” Boudl ALY. +. 3. | 85 
75—“Information,” Flameng; J. F. Carroll...... 375 eee =A Dat Canal sgngkind: 3 a pment 350 


aoe Paix.” Bee T. F. Baen 


Isabeys, I Rape sei Diaz;.A. H. Boribier oe LE UE OS | 


PAINTINGS. 
Sie tee UM ic gases ged Ol ala 125—“Hens, ” Jacque; S. Ney cathe aha ‘shie alaly acl SOD 
and Foxhound,” Swan; poringss -Head, Jacquet; A. D. Meyer.... ....-.+..4-- 225 
so-The nd,” Lhermitte; Tooth & Sons.. Monks and a Cardinal, ” Casanova; 
8i—The Brook,” Cazin; Mrs. Moreshofter. . yt R. Rainey... - ees see ene tote 240 
88—‘Market at Constantinople,” Pasini: 128—“The ‘Quan Bonheur; L. Bamberger... 410 
MEME Mantra aie pee aes dh eae ayrd « 2,150 | 129—“ Venice,” Ziem: 1 I. Neuberger........... 275 
ge Returaing. » Jettel; GO. Hazard.....3.... 800 |130—Head; Henner; W, W. Fuller..........-. 700 } 


85—‘‘Rio Santa Marina,” Rico; D. B. Dula., 1,450 setae as on the Lagoon,” aout Pp. B. 
$$—" Returning Home,” Mosler: BE. Ellinger. 210. Wor tral pba lsieivials rial coda Uy i Aedes wie ceec eves: «evan eat ia ad 

|: SI" Night,” Kost: A.A. Healy... 320 

| 88—“Landscape and Cattle,” Digtertes Die. 

DER p ics eee nneR RE. Sy. Ii dues bet 3,600 

Py eee FOruEn Teller,” Worms; BH.’ PASS HORE A bhai lanai up MTA eleln 419i aie wets 4)eailael pee 
Ye RRO JTL ay tis kas ech e eau 1,000 


Sela “H.C. Fuller. 250. 
rolentay, a #, Bern;, 


Yi. 
Owe ae tae near rt eww ere ere rmeseares 


ae tiie Voiion: Tooth & § Sons. 550 | 
150—The Gourmand, "Casanova; B.C. Fuller. 250 | 
151—""The Caravan,” 'Gérome: A. TP peoHinbh: . 925 
152—‘ Along the: Quay,” “Clays; L . Bamberger. 410 
‘19—"The Sentinel,” De Neuville; JkOehme.. 700 


i—*Head,” ‘Henner: ©: (A. Sebiieren 3755 3..5.3 700 Be: 
Hi —“A,Good Story,” Casanova: R. A A. Rainey. 460 4 
156—“The Cardinal, » Vibert; Tooth & Sons. . 520 “4 
157— “Carnations,” Fantin-Latour; W, A. Clark. 875 Y 
158—" Asleep,” Henner; L. Oral ie (525 3! 
159—“Andromeda,” Henner; A. R. Flower..... 1,450 | a8 
160—“A ee Road,”  Daubigny; P. B. Wor- ac | af 
HURD Ener AUL LOM aa gic x sche <4, Seem aPe ed. coe Mee its Fike Scoue st» 0 ; w ana 
161— “Still Life,” Volion; Tooth & Sons.../.... 425 . Eb 
162— ie ae Horseman,” Schreyer; Tooth ois Highest Price, $3, 609, Was Paid ‘yh ‘D. lie 2 
AEA |r) ROM Tee, Cath gee hele ra 35 say a 
163" Arabian Horesin : Schreyer! tuinedr 350 . Dula for Landscape and Cattle | 
64—“Cattle,” Van Marcke; enabow........ i a “4 
165—"A New Subject,” Vibert: Tooth & Sons... 973 oS by Marie Dieterle. } : 
'166-—“Roaming,” Bonheur; A. R. Flower..:....... " 1,000 fi ‘ : var 
Bee any fie Lesson,” Meyer von Bremen; ae Nae ! Re ahs. ac aay | 
ann CO ee ae ee eo ee er ed ’ ( » . ben iy $ 

ltd Tandecape,. Delpy; RN Na Vorhis.iic. 0: . 325 At the first part of the sale of modern i 

aoe pre a C. Ns Schieren... 750 paintings collected | by ithe late Alexander : 
ee cae, Cazin; Scott & | | Blumenstell, a well known lawyer of this 

W1—In the Forest,” Diaz; Scott & Fowles....... 7,600 | city, held last night at Mendelssohn Hall, . 
[ate FE UeeADe and Cattle,” Troyon; fF. W. Sen one hhundred and eight drawings, pas tels, 

Vid gis MEME inks b ieee es aLSilele th ls fede ine ‘ . 

lize-sLandscape: Delpy: ; Neuberger........... 200 water colors and oil ‘paintings were § old 
ena aa s Day,” ae | 


Harplgnies; A. A. 1700, ~~ at atiction for an aggregate of $50,505. ' 


Pe eee ee ee ee er ee ey 


(ys Masine. Clays: L. A. Youthier.. 675 | hall was crowded to the doors: with pros: 
176—“Brin ‘ing Home the Wounded,” Tsabey: : 
bs an Brandis. as iW Baa rs ete pective on abi : 
la SINGS emon uller.. ae 21 Among the pictures sold wére dr z 
Pe ealine Potawocy a eplommers, Ww 00 by Adolph Menzel, Alphonse Marie dé 
"The Fipplia Brook,” Thaulow; R. ren Neuville, Rosa Bonheur, Isaac Israels and 
180—"Avenue de ‘la République.” Raffaelli: Jean Léon Géréme, Among the pastels 
isl—"The diltiside”. Delpy: Be AD Kents. 30, and waiter colors were included works of 
-1s2— The Artist, oe D. Hel ler RD : ee 525 | Louis Eugéne Bondin, FP. Gabriel, EB. 
83—‘“‘Morning on-the Hollan oast,” Clays; . Lyn 
Py US ROLY ees ONWLESM IT wei eee ica ae eok wet k 1,300 Hsbens, Albert eh and boa Po nit ca 
184—Head, i anen. Bouveret;. Scott & a zenius. 
Ope CE Res UES RR cae RE ati Sig Ft RU 8 RR, j 
185—“Mending Fishing Nets,” Biommers: H. Among the third division of oil gotubtnns 
Cc Rosenbauer SIS BONIS, Lene 1,000 | bag water colors were included works of 


ees Venice,” Ziem; A. Freed- j 
} 187—""The Snsistaria ‘Wibert; W. W. Fuller... 4,000 
| 188—“The Sentinel,” Roybet; B. A. Cohen.. 600 
Coogee daldiniatags Home,” Troyon; M. C. Stern- 


io "La! Falaise de Béneryille,” Boudin; 


. Simon, Liouis Hmile Adan, B. ‘Bsbens, 
yee a: Tamburini, Antonio Casanova y 
Hstorach, James M. Hunt, M. ‘Ten Kate, 
Jean Baptiste Robie, Rosa Bonheur, ‘Henri 
Harpignies, E. (Berne Bellecour, Jean L 


Seaman, arent... ele baie Wty aneede 1,225 Satie 
eee Crawfish,”’’ Corot; Seaman, abe Gérome, Jean Francois gear bgat ay = 
| MM ACRE Anat sie eN lata his meena San oeee ty darren a : Oamille (Delpy, Antoine Vol on, ules | 
192—""The ‘Décke” Vollon; BE. Frankel. | 22.777 a | 
“HesNvhs Bathing. Goraus A: Frecdmai.. 70 Worms, Gustave Courbel, | élbs. Ziem, ' 
—Landscape, Delpy; Blank .........5..0.. Mariano ‘ortuny, ‘aud ean auy. er . E 

| 195—“‘ Watering the Flock,” Jacque; A.Ltichow. 5, 300 | 

-196—“At Home.” Valkenburg; D. Richter... 625 | nardus Johannes Blémmers, Emile’ Van 

197-— pos the Boat,” Haquette; E, as | Marcke, Jose Domingo, Théodore Rous, 

} : ne id ele Sekai’. Sate ve ate acd oieleie clown meow bow 

1ds—-Mart ta Lewis, agtes isco). ccs cee Lib hed seau, -Jean Berand, Jean Charles Cazin, 

Medan: T.Lewis, agtecasanui Lil sess. 6,200 | Martin Rico, Marie Dieterle, Louis Hugéne 

ree Tewiss see et go 8.100,  Bondin, Jullen Dupré, Léon Bagile Per 

202-—-Fan;) L. Lewis, agt eri UN 12,660 rault and Jules Joseph Lefebvre. “— 

203— me Caale des Moutons,” Daubigny: 1 were bought by gents. *” ¢ 

204—""The Shlawassee River,” ‘Harry ‘Eaton; ie Among the pai@tings which brought a 

| Dpenmbetmer. iui ewe te ay 2 ee 

(205—“Early Morning,” Daubigny; B. A. Cohen. 1,000 high price, ‘ttoether with the names. of ey) 

(208—"Corpus Delicti,” Van Boks; L. Loser pal artists and purchasers, were:i— > 

ashy CPs cieiaiecte lis to, Wh alo n oral mere aMEL St oeRaNE fe co 1h eel oy 4 ‘ , Leon | 
‘207—“Peace and War,” Marr; Blank.......... 300) : Bee eee hy Peek Ga Ger tae. 1.¢ 
BAPE RTE r “lowers. and Iruits,’” Antoine 


(ee ene Glen &_ CO, «ees se #8 oh en 100 
A Sivies Seene. Being ht, Combet: F, prema 
siidean ites q, 


feye Lehman... .. hana ne 
The eh aret,’” Jose Domingo; 


terre ee ee 


“ji ai ea 


a ‘Balle Vom 


in Mendelssohn Hall. 
the f fans, which com-. 


fo $170,110. 

THR PURCHASERS. 
“purchasers of the more 
ntings were’ Messrs. An- 
n, R. A. Rainey, A. Toothe 
VA. Clark, Jules Oehme, A. 
Benavow, Simon Uhlmann, 


1,, Frederick ‘W. Scott, HE. 


‘of whose paintings 


» eAee REE) Judge “ruax, ay Ni 
4 hea Caliph ore of Jean 

-Bonheur, _ Josef 
fc ae Phaginhe Bouguerea i 
bo ah Nha wi Sanat yb mi 
“The Hor by Rosa: Bon- 


Tout Eble Bee eal i a 
$ r assini an 
es Olivier ‘de Penne . | 


Paul DEY ey "Grolieron, meanest 
V rerms: saat ollon, Jean Léon Géréme, 
Paul Jean Clays, Alphonse Marie de Neu- 
Wille, Adolph Schreyer, Emile Van Marcke, 

fle. Rosa Bonheur, J. G. Meyer von 
‘Bremen, Hippolyte Camille Delpy, Jules 
Dupre, Narcisse Virgile Diaz de la ‘Pefia, 
Henri Harpignies, Hugene Louis Gabriel 
Tsabey, Felix Zien, Constant Troyon, Jean 
Baptiste Corot.and ‘Charles Beli: Dau- 
Diany.' >) 

“NYMPHS BATHING’ BRINGS $7, 700. 


__ ‘Nymphs. Bathing,” by Carot, brought 
$7,700, the highest bid for a single painting 
during the entire sale. It wags ate 
by Mr. Andrew Freedman. “in 
Forest,’’ by De la Pena, ee bought Oe 
Messrs. Scott & Fowls for $7,6 
|. Among the other paintings hitch brought 
the highest prices, together with the 
names of the artists and purchases) 
were:— : 
\“Andromeda,’’ Jean Jacques (Henner; yh R. 

HO LOWWT ta oc) ow lie taie! tiaidg need aie Gree eae ene "$1,430 


We 
“*Roaming,’’ iMflle, Rosa Lonh- ars As : { 
DEALS x: 28 NS RW rsd peed heat Miu Phy order ght) 1,005 
| 


(“fhe First Lesson,’ J. G. Meyer von "Bre: 
| qmen; Simon Uhlmann otek Get iatectia « 1,080 
“SN Province: a Lown,’’ dean Charles Cabins 
MODEL AI HONS oS gids’ arcuate a tetas eg eanateen « 1,400 

hes : Summer's Day,’’? Ienri Harpiguies; A. 
BONY: crest a ema 6 satan senna mea aay 1,700 
“Bringing Home the Wounded,’ Gabriel a 
Isabey; BANGS A wa teers Maitisee tes 1,023 
{§ Morning | Keren cn the (dolland Coast,’ poy : 
Jean Clays; Scott & Bowls, .. 0... ses .a 1,208 

Sunset in Venice,” Felix lem; Andrew 
JOPOS MAT | ice Fe garb he seo also ogeke eo anette Lite 
“The Bookworm,’ Jehan Georges Vibert; 
We Wt elie ieae Si Cae ey Neo tate Ae ae aes 4, 00% 

“Watering itis Flock,’ Charles Tonite 
| Frac We A LHe gteryr ey ae cig wiouletr ak 5d, 201 
“To ‘Pare des (Moutons,’’ ‘Gherles Francois ; 
Baws: Jwd: me Truax NEAR Taal Teena a, CaaS 1,80¢ 
“arly Morning,’ Charles Francois | Dian 
hirmy: B.A, ‘Cohen. ey sae alone is baal ge adage A Ha 11,000 
“Britany Landscape,” Jéan Charles Cazin; bi 
Andnew. Preeqwuiay) .) Wa wb hema aly corel 1,800 
Borie mic ” Jean Charles. Cazin; Bane. ly 
pa ee ttt ala pee at eSB atic a eRe se CORON al Cai al come 1 Pa! 

line. Pec cau ” Jean Léon Géréme; An- 
Ate HW re etm aay nek slate a wien oie myst MNO dla wie aint 925 


“Oarnationus,’? Fantin-Latour; W.cA. Clark. 81 
“A. Moorisin futhetiabiy Adolf Schreyer; 


Del Morse Re Spans e/a a sie nelle clare: seat aati tan piaiiee 978 
6 New Subjeat, ’”’ Jehan Georges Me eae: te) 
Ls Wales ue (OM Giese oun Waly uns Uta igs aes 975, 
“Mending Fishing Nets,’ Bernanitus ay, 

Blommers; H. ©. ee ukcer 1,003, 
‘Netorming Home,’? Troyon; M, io Stern: 

PACH Hl Valitse Groowe one lamsa te aerate bee Ves es ae Oe 


Tua Falaise de Bénerville, 4 Bondini, and. 
Catching Crawfish,” Corot, were bough 
by W, W. Seaman, agent, for $1,226 an 
82, 100 Tose CUNSHY, y 


arene hs 


ad i 
a? 


GETTY icin ral LS 


VMN 


3 3125 01662 8139 


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eter 
patter tre * 
fe a me 3 os 
Seer 


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